Kodak 500T film is designed to be used in tungsten light but as I do most of my photography during my lunch break I wanted to test how it looked when used in daylight with an 85B colour correction filter. These shots were all made on the same day during my lunch break (apart from the last shot which was made without a filter after work).
[Tech info:] Leica M2, Voigtlander Nokton 50/1.5, Kodak 500T film, processed with a Rollei Digibase C41 kit, Pakon scan.
It’s been a long time since the last time I can remember pushing Kodak Tri-X film to ISO 1600 and processing it in Rodinal developer so that’s what I decided to do a few weeks ago. There are a mix of images on this roll ranging from some night portraits that I made during a photography class I was teaching to Ruskin art students on the High Street during their drawing sale to raise funds for their end of year degree show. I’d like to do some more work with Art students but they seem to be an illusive bunch so it’s currently a work in progress.
[Tech info:] Nikon FM2, Zeiss 50/1.4 lens, Kodak Tri-X 400 (expired), rated at ISO 1600, processed in Rodinal 1:50 for 18 mins.
These are the first shots from my Voigtlander Nokton 50/1.5 lens which I tested during my lunch break yesterday. Technically this is the second roll of shots with this lens – the first roll was unusable because I forgot to close the back door of my M2 properly so the film wasn’t flat and the whole roll was out of focus. That’s what can happen when you’re excited to use a lens you’ve been looking forward to for quite a while. Lesson learnt. The weather was heavily overcast sky with a really gloomy feel everywhere. It’s the kind of light I would never usually waste a roll of film with but I really wanted to see how this lens performed so I decided to go out regardless and I must admit I do like the results, especially the bokeh, this lens is definitely a keeper. My thanks go to Jason Howe for all of his help and advice about this lens which I prefer for b&w over my Summicron 50/2. I’ll be keeping the Summicron because I shot some slide film with it and the results look fantastic so I can see it being useful for colour (as suggested by my friend Anthony).
[Tech info:] Leica M2, Voitlander Nokton 50/1.5, Ilford Delta 400 (expired), processed in Kodak D76 1:1 for 14 mins.
Recently I managed to pick up a roll of quite unique film and these are some of my first test shots with it. The roll is 350ft long and 5 inches wide so it’s perfect for being cut down to 5×4 inch sheets to use for large format photography. The film is Kodak Plus-X Aero film that was developed for aerial photography – this is stock used by the M.O.D. and expired in 2000. During my lunch break yesterday I went into town hoping to make some test portraits because the tonal range in this film is more like what you find in wet plate photography and I wanted to know if it was going to be usable for portraits. I’m very happy with the results which look very smooth tonally and the grain is almost non existent.
[Tech info:] Polaroid 110B (modified for 5×4), Kodak Plus-X 2402 Aero film, ISO 100, processed in Rodinal 1:50 for 14 mins.
Here’s the camera I used (shown below with a roll film back). Modified by Randy at HolgaMods.com
In between lots of wet weather over the past couple of weeks we’ve had some nice dry spells and I managed to finish off a roll of film in my M2 during my lunch time photo walks. A bit of a mixed bag here including a shot of me from the generous photographer with the Polaroid camera. I spotted him crossing beaumont street while loading in a fresh pack of Impossible b&w film so I stopped him to ask if I could make a quick portrait of him and he was happy to oblige (picture at the bottom of this post). I don’t know what caused the bright white patch in the middle of the picture but it does make it a bit more mysterious.
[Tech info:] Leica M2, Summicron 50/2 (rigid), Ilford FP4 (expired 12/99), processed in D76 stock for 8.30.
These shots are from the beginning of our day in the city (which started at around 10.30am), coffee in the Rapha cycle shop and then we stopped for lunch near the Lloyds building. I was using three different cameras so these blog posts will be out of order as I’ll be posting my favourite shots from each roll of film.
[Tech info:] Yashica Electro 35 loaded with Kodak TMAX 100, processed in Kodak HC110 1+31.
Last week I spent a day in London with my friend Benedict Campbell doing street photography and here’s the first set of pictures Ben and I used to work together at the same studio many years ago and it’s been over 20 years since we were out photographing together so I was really looking forward to this trip.The weather was surprisingly warm for October, there was a nice atmosphere on the street and people were in a good mood – all good ingredients for an enjoyable day to be photographing on the street. I took three different cameras with me and a selection of different films so there is a good variety of images to follow.
[Tech info:] Yashica Electro 35, Kodak Hawkeye traffic surveillance film, processed in a Rollei Digibase C41 kit, Pakon scan.
A large format portrait made on 10×8 inch xray film. The making of pic below was made by Amanda from her viewpoint but you don’t get a sense of how large this camera is. I really enjoy making simple honest portraits like this with nothing fancy in terms of styling, lighting or location – just one light, subject and camera.
[Tech info:] Wista 10×8, Sinaron 300mm lens, green sensitive xray film, processed in Rodinal 1+50 for 6 mins.
Wista pic by Amanda | Xray film hanging up to dry
Some film shots from a promo shoot I did for the Christ Church Commemoration Ball 2014 who’s theme was English Eccentrics. This was a really fun shoot to do but one of those times where I wished I had more time to shoot film. Thank you to everyone that gave up their time for this shoot and to the amazing Tori for putting it all together.
[Tech info:] Bronica ETRSi, 75/2.8, Fuji 400H (expired), processed and scanned by Ag Photo lab.
Here are some shots from back in March that I made with my Zenit Russian tank of a camera. It gives random light leaks which I’ve come to quite like. This film is Kodak Double X motion picture film as used by some Hollywood movie studios.
[Technical info:] Zenit 35mm, 50/2 Helios lens, loaded with Eastman Kodak Double X film, processed in Rodinal 1+25.
These shots are from my first shoot with Suzie on an overcast Saturday morning. I decided to experiment a little here and keep the overall look a little underexposed for a heavier feel. Two different cameras were used on these shots – one of them had a wide-angle lens on which was not what I had intended but I decided to go with it anyway and I quite like the results despite the obvious distortion. More to come.
[Tech info:] Pentax 6×7, 105/2.4 lens. Bottom two images with Mamiya RB67, 50mm lens. Kodak Tri-X (expired), processed in Kodak HC110 1+31.
These shots are from a few weeks ago from possibly one of my shortest photo shoots ever – start to finish I think we spent around 15 minutes. They were all made handheld on 5×4 large format film and I really like how these have turned out. The camera is from the 1960’s and was originally designed to shoot on Polaroid film that came on a roll. It was never designed to shoot 5×4 film so the viewfinder is not 100% accurate for what will be on the film and that’s something I’m still trying to get used to which is why the top of the frame is cropped so tightly in a few of these shots. This summer I plan to do more large format film photography than I have before and I think my modified Polaroid 110B will be getting quite a bit of use.
[Tech info:] Polaroid 110B land camera (modified by Holga Mods), Ilford HP5 5×4, processed in Kodak HC110 1+31 for 5mins.
