May, 2018

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Oxford: Endeavour 5, FILM 2 – part 11

Friday, May 25th, 2018

Behind the scenes photography from filming of Endeavour series FILM 2 in Oxford. This scene involved a house that had been cleverly dressed by the Art department to look like it had been burnt out by a fire bomb. The scene involving the arsonists was filmed at night on this same day. No actual damage was done to the house, it’s all smoke and mirrors. Afterwards there was a location move to Fred Thursday’s house where a scene took place in the front garden. This was June and with longer days it didn’t dark until quite late which made for a long and busy day.

[Tech info:] Konica Hexar AF, Fuji Reala 100 film, Pakon scans.

 

Oxford: Endeavour 5, FILM 5 – part 7

Saturday, May 19th, 2018

Behind the scenes during filming of Endeavour series 5 FILM 5 in Oxford. It was a sunny Sunday morning when special branch arrived at Brasenose College to take the college porter for a ride. The final scenes from this Endeavour FILM were filmed first thing in the morning and then the rest of the day was spent filming various scenes within the college grounds.

[Tech info:] Leica M6, 40/1.4 Voigtlander Nokton, Fuji Superia 200 film, Pakon scans.

Oxford: Endeavour 5, FILM 6 – part 6

Tuesday, May 15th, 2018

Behind the scenes photography from a busy day of filming Endeavour 5 FILM 6 on Turl Street in Oxford. This was a fun day of filming with lots going on. As I look back through these pictures I notice at least one shot that was filmed which didn’t make it to the final edit – where Fred Thursday crosses the street and the Jamaican gangsters drive past in their car. The Art department did an excellent job of transforming the Oxfam Bookshop into a pet shop but you don’t really get to see much of the detail on screen in the final edit.

[Tech info:] Konica Hexar AF, Ilford HP5 film, developed in Kodak HC110 1+31 for 5.30. Pakon scans.

Oxford: Endeavour 5, FILM 6 – part 5

Monday, May 14th, 2018

This set of pictures is a bit of a mixture and although they are all from the same roll of film, there are shots from two different episodes of  Endeavour. While the cast and crew were in Oxford to film the final episode of series five they also filmed some pick up shots for the first episode. I guess you only really know how well scenes properly fit together when you’re in the editing suite and any gaps need to be filled which is probably where reshoots come in.

[Tech info:] Leica M2, Kodak Portra 800, Pakon scans.

Oxford: Around and about, lunch break photo walk

Saturday, May 12th, 2018

This set of pictures are from a recent lunch break photo walk where I managed to finish a whole roll during the hour. I’ve been using quite a bit of Eastman Double X motion picture film recently because I bought a bottle of D96 developer and I didn’t want it to go off without much use. So far I have been very pleased with the results especially in controlling contrast.

[Tech info:] Yashica Electro 35, Eastman Double X film, developed in D96, Pakon scans.

Oxford: Endeavour 5, FILM 4 – part 13

Wednesday, May 9th, 2018

The Endeavour crew came to the Oxford Union to film some scenes from FILM 4 of the fifth series and these behind the scenes pictures are from a scene that involved a flour bomb being thrown. The pictures pick up from after the first take where the flour bomb missed the intended target so quite a bit of clean up was required before the second take – this is where the props guys sprung into action. The last handful of shots are from a different day when I visited the Cowley CID interior set and finished off the same roll of film. I really like the use of daylight balanced HMI lighting because it enabled me to use daylight film without any filters.

[Tech info:] Konica Hexar AF, Kodak Portra 400, Pakon scans.

Oxford: Olympus EE-3 half-frame test

Monday, May 7th, 2018

For quite a while I’ve been looking for a cheap half-frame camera to test out and I finally managed to get one when I was least expecting it in a mixed lot of camera bits I picked up at auction. It’s an Olympus EE-3 which is fixed focus and true point and shoot because apart from the manual aperture settings when using flash, there are no other controls that you can change. The selenium cell light meter is dead on my camera but the shutter works so I decided to test it during a lunch break photo walk around Oxford. With 72 frames to get through on a roll of 36 exposure film I was able to be very instinctive with my shots – see something, point, click, move on. There’s no need to carefully consider the composition on every frame because this camera lets you use it almost without thinking, just like when you blink without thinking about it first, you just do it.

Here’s a selection of pictures from the first test roll and it looks like the camera is working well despite the dead light meter. I assume it’s working at sunny 16.

[Tech info:] Olympus EE-3, Eastman Double X motion picture film, developing in D96 for 7 mins, Pakon scans.

Olympus EE-3 half-frame test shots

Oxford: Endeavour 5, FILM 6 – part 4

Saturday, May 5th, 2018

Behind the scenes photography during filming of Endeavour 5 | FILM 6 in Oxford, October 2017. The first few shots are from the scene outside the pet shop towards the end of the day when the light level was rapidly dropping. Although there was a stunt team on hand the actors did their own stunts in this scene. The following morning it was a bright and sunny start on Christ Church meadow where the harsh sunlight made it tricky to move around without casting a shadow into shot.

It’s hard to believe this was almost 7 months ago. Lots more pictures still to come from Endeavour 5.

[Tech info:] Konica Hexar AF, Ilford HP5 film developed in Kodak HC110 1+31 for 5.30. Pakon scans.

Oxford: Lunch break photo walk

Wednesday, May 2nd, 2018

For a while now I’ve been meaning to use my Bronica SQA but either the weather or other things kept conspiring against me. Last week I finally managed to do it and here’s a set of pictures from the roll I shot during my lunch break photo walk. The shots of the drainpipe and the painted house number sign were made using a +1 close-up filter that I wanted to test and the last three shots were made with a red filter – the Radcliffe Camera shot had a polarising filter as well.

[Tech info:] Bronica SQA, 80/2.8, Ilford Delta 100 developed in Tetenal Ultrafin T-Plus.