There was some flooding in Hinksey back in January and here are a few pictures from that time which I made during my lunch break. I had spotted the gravel mounds the previous week and was waiting for appropriate light and a dramatic sky to photograph them in.
[Tech info:] Pentax 645NII, 45-85mm lens, Ilford HP5 developed in Kodak HC110 1+31.
Some misty morning shots from April this year. I have photographed this location with various different cameras but this was the first time with a wider format. I feel 6×12 worked perfectly for these shots.
[Tech info]: Wista 5×4, 90mm Schneider lens, Ilford FP4+ developed in Adox XT-3 stock.
Recently I came across an interesting lens I was curious to try out – a Leitz 125mm f2.5 modified for use on a Rolleiflex SL66. The lens was originally designed for use on a 35mm format system but amazingly it covers 6×6 without any issues. The previous owner carried out the modification and it’s very nicely done. Here are the first test shots from a photowalk with a photographer mate of mine.
[Tech info]: Rolleiflex SL66, 125mm f2.5 Leitz lens, shots 1-3 Ilford FP4, the rest are Ilford HP5, developed in Adox XT-3 stock.
We’ve had some unusually warm weather for mid September recently so I decided to make the most of the evenings after work this week and took a 10×8 camera out along the tow path to make some portraits. It’s been quite a while since I’ve taken a 10×8 camera out, mainly because of the weight, but this time it was a lot easier because I used a trolley to transport my gear. It worked extremely well and I look forward to making more trips out when the weather is suitable. Thank you to everyone who stopped for a chat and a portrait.
[Tech info]: Shots 1-4 Kodak Commercial 10×8, 10inch Wide Field Ektar lens. Shots 5 & 6 Intrepid 10×8, 240mm Schneider lens. Shanghai GP3 100 (expired 2014), rated ISO 50, developed in Kodak HC110 1+31 for 8 mins.
Behind the scenes photography during filming of Endeavour 7 | FILM 3 in Oxford, October 2019. These pictures are long overdue and I apologise to the SA’s in these pictures who have been waiting patiently to see them, especially the man holding the newspaper who I frequently saw on subsequent series of Endeavour and every time I would promise the pictures would be posted. I got there in the end!
[Tech info:] Rolleiflex 2.8F, TMAX 400 @ ISO 800, developed in TMAX developer 1+4.
Behind the scenes during filming of Endeavour 9 | FILM 1 in Oxford, May 2022. I used a few different rolls of film through my Rolleiflex at this location because there were quite a few different setups which gave me enough time without too much of a rush.
[Tech info:] Rolleiflex 2.8F, Kodak Tri-X film developed in HC-110 dilution B.
Behind the scenes photography during filming of Endeavour 9 | FILM 1 in Oxford, May 2022. The location was New College fellows garden which isn’t within the main New College grounds but tucked away on the opposite side of New College Lane.
[Tech info:] Leica M6, 50/2 Voigtlander Nokton and 75/1.8 Voigtlander lenses. Ilford FP4 film developed in HC110 1+31, Pakon scans.
Some pictures from Oxford Matriculation this year, the first time this event has taken place in-person since 2019. Fortunately it didn’t rain. Students from Jesus college were a particularly lively bunch this year, I enjoyed photographing them. This is always a tricky event to photograph due to all the black and white fabric – you’d be hard pressed to find a higher contrast situation. Add backlighting to the mix and all bets are off for a nice tonal range. This year I took a variety of cameras with me, more to follow.
[Tech info:] KIEV 60, Arsat 30mm f3.5 fish-eye lens, mix of films (FP4 and Delta 100 pushed 1 stop).
The last few portraits I made at the Oxford Beard Festival 2022. Thank you to everyone that stood very still for me. I’m pleased with how the portraits turned out.
[Tech info:] Sinar P 10×8, Dallmeyer 3A lens, f8 3D printed Waterhouse stop. Fomapan 100 (expired 2017) ISO 50, Kodak HC110 1+63 10mins.
More portraits from the Oxford Beard Festival 2022. Part 1 is here. I’ve noticed that the depth of field differs in some of my beard festival portraits and thinking about it now I’ve got a feeling it’s because I tilted the camera forward or back depending on the height of the person I was photographing. In hindsight I should have kept the back of the camera vertical and raised the lens or the centre column on the tripod. Something to remember next time.
[Tech info:] Sinar P 10×8, Dallmeyer 3A lens, f8 3D printed Waterhouse stop. Fomapan 100 (expired 2017) ISO 50, Kodak HC110 1+63 10mins.
The first and only time I photographed the Oxford Beard Festival was in 2015 – you can see those pictures here. Ever since then I have been thinking about and this year I finally managed to make it there again. This time I wanted to use a 10×8 large format camera but the slight hiccup being the weight of my kit was far too much for me to carry on my back and the venue for the event was a pub on the river without any access by car. I decided the only way to do it was to transport my kit in a borrowed wheelbarrow and it worked like a charm albeit leaving my arms feeling 3 inches longer by the end of it.
[Tech info:] Sinar P 10×8, Dallmeyer 3A lens, f8 3D printed Waterhouse stop. Fomapan 100 (expired 2017) ISO 50, Kodak HC110 1+31 6mins.
After being on a bit of a roll with my large format street portraits I decided to take my Speed Graphic out with a lens I’ve been meaning to use for a while – 165mm f2.7 Zeiss Tessar. I repurposed the lens from a folding camera which was well past its best with a perished shutter. Steve at Chroma Camera kindly designed and 3D printed a custom lens board for me. It’s a lot lighter than my Aero Ektar lens but gives a very different look. Depth of field is very shallow as you’d expect – most of these were shot around f4.5.
[Tech info:] Speed Graphic 5×4, 165mm f2.7 Tessar lens, Ilford HP5 (expired), developed in Kodak HC110 1+31 for 6mins.
