September, 2019

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Oxford: Giffords Circus 2019

Friday, September 20th, 2019

Giffords Circus came to Oxford on their 2019 tour and I went along to do some photography as I have done in previous years. It’s always nice to see familiar faces there and some new ones too. For these shots I used a Fuji 6×9 rangefinder camera which has a 90/3.5 lens that is not interchangeable. It’s a hulk of a camera but I really like the large viewfinder and the 3:2 aspect ratio of the frame compared to 6×7. The 90mm isn’t really a portrait lens so I tend to go a little wider than just head and shoulders.

[Tech info:] Fuji GW690, Fuji 400H (expired) film, Noritsu scans.

Oxford: Lunch break photo walk

Monday, September 16th, 2019

Some shots from a test roll I put through a Nikon FA which I recently bought. The first roll had some light leaks so I added light seals for the edges of the back of the camera using strips from a foam sheet I bought at Hobbycraft. Looks like it’s fixed the problem. These were all shot in aperture priority mode using matrix metering. The matrix metering mode only works in aperture priority on the FA, something I didn’t realise. I much prefer to use full manual mode.

[Tech info:] Nikon FA, 35/2.0D Nikon lens, orange filter, TMAX 100 (expired), developed in Tetanol Ultrafin developer. Pakon scans.

20190815_Lunch-Hour_FA_35-f2_TMX100_Ultrafin_01A_web 20190815_Lunch-Hour_FA_35-f2_TMX100_Ultrafin_03A_web 20190815_Lunch-Hour_FA_35-f2_TMX100_Ultrafin_05A_web 20190815_Lunch-Hour_FA_35-f2_TMX100_Ultrafin_06A_web 20190815_Lunch-Hour_FA_35-f2_TMX100_Ultrafin_07A_web 20190815_Lunch-Hour_FA_35-f2_TMX100_Ultrafin_08A_web 20190815_Lunch-Hour_FA_35-f2_TMX100_Ultrafin_12A_web 20190815_Lunch-Hour_FA_35-f2_TMX100_Ultrafin_14A_web 20190815_Lunch-Hour_FA_35-f2_TMX100_Ultrafin_15A_web 20190815_Lunch-Hour_FA_35-f2_TMX100_Ultrafin_20A_web 20190815_Lunch-Hour_FA_35-f2_TMX100_Ultrafin_24A_web 20190815_Lunch-Hour_FA_35-f2_TMX100_Ultrafin_36A_web

Oxford: 10×8 photography

Saturday, September 14th, 2019

For the longest time I have wanted to take my 10×8 camera into town to do some large format photography and recently I finally managed to do it on a Saturday morning. Even though I only took one lens – the smallest and lightest I have that is suitable for 10×8 photography – the combined weight of the camera, tripod and film holders is more than my back can comfortably handle so I have to drag the camera around with a foldable hand cart which works really well. I took with me both Ilford Delta 100 b&w film and Fuji Velvia 100F transparency film. Below are a couple of shots made with the Delta 100, I’ve processed the Velvia and the shots turned out very nicely but I haven’t scanned them yet. The group shot of the Zappi’s Cycling Club was very impromptu – I was photographing the Sheldonian Theatre on Broad Street when I was approached by one of the cyclists about photographing them with my big camera.

[Tech info:] 10×8 field camera, Nikon 210mm f5.6 lens, Delta 100 film (expired), developed in Ilford DD-X with a Jobo processor.

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10x8-camera_web

Oxford: Endeavour 7, FILM 1 – part 4

Saturday, September 7th, 2019

Only a handful of pictures in this post because the rest of the shots on this roll contain spoilers so they will have to wait until after broadcast. This location was used after the scenes at the Oxford Union were finished. I like how Fuji Superia 200 handles colours even in bright sunlight. Too bad it’s not made anymore.

[Tech info:] Leica M6, 40/1.4 Voigtlander Nokton, Fuji Superia 200, Noritsu scans.

20190819_Endeavour_S7E1_Manor_Road_M6_Superia200_25_web 20190819_Endeavour_S7E1_Manor_Road_M6_Superia200_18_web 20190819_Endeavour_S7E1_Manor_Road_M6_Superia200_19_web 20190819_Endeavour_S7E1_Manor_Road_M6_Superia200_02_web 20190819_Endeavour_S7E1_Manor_Road_M6_Superia200_03_web

Day for night: Endeavour 7, FILM 1 – part 3

Tuesday, September 3rd, 2019

On the August Bank Holiday this year, hottest day of the year so far, the Endeavour crew were hard at work at an undisclosed location and I was fortunate enough to spend the day with them – needless to say it was a scorcher on set. I can only share a few images to avoid spoilers but plenty of others will follow after this episode is broadcast. This was the first time I’d used Lomography 800 film in 120 format and because the sun was setting the light level in the shade was low so I rated the film at ISO 1280 and had it pushed one stop by the lab.

[Tech info:] Rolleiflex 2.8F Zeiss Planar, Lomography 800 film, ISO 1280, pushed 1 stop in development, Noritsu scans.

20190826_Endeavour_S7E1_House_2.8F_Lomo-800_01_web 20190826_Endeavour_S7E1_House_2.8F_Lomo-800_02_web 20190826_Endeavour_S7E1_House_2.8F_Lomo-800_03_web 20190826_Endeavour_S7E1_House_2.8F_Lomo-800_06_web