Behind the scenes photography from a day spent in Merton College, Oxford with the Endeavour crew during filming of FILM 3 from series 7 in October 2019. This was a busy day as I recall with both exterior and interior scenes including a stunt involving a big book and a ladder.
[Tech info:] Leica M6, 40/1.4 Voigtlander Nokton, Fuji Superia 200 film, Noritsu scans.
Behind the scenes during filming of Endeavour 7 | FILM 1 in the Goodman Library at the Oxford Union, August 2019. This location is a favourite of mine and one I am very familiar with having photographed quite a few speaking events there over the past few years. Once the artificial sunlight came streaming in through the windows and the library was filled with haze the space was completely transformed.
[Tech info:] Leica M6, 40/1.4 Voigtlander Nokton, Ilford HP5 @ ISO 1600, developed in XTOL stock, Pakon scans.
When I heard there was going to be a wrestling match being filmed for Endeavour series 7 I jumped at the chance to do some behind the scenes photography – even if it did mean driving to London at the crack of dawn. The location was a working mens club and as well as the wrestling match there was also the interior of the Jolly Raja Indian restaurant which was a two for one bonus. As a kid I used to watch wrestling on World of Sport on Saturday afternoons so it was quite a treat to be transported back.
Usually I would only post pictures from the same roll of film but this time I’ve combined two rolls – a two for one bonus.
[Tech info:] Leica M6, Voigtlander 35/1.2 Nokton, Kodak Portra 400, Noritsu scans.
Day one of filming Endeavour series 7 in Oxford started in New College Lane. It was a busy morning with quite a bit of coverage to film and there was a stunt involving a cyclist. It was fascinating to see the amount of planning involved for a few seconds of action on screen. One of the first scenes to be filmed didn’t make the final cut.
[Tech info]: Leica M6, 35/2.8 Zeiss Biogon, Kodak Portra 400 (could possibly be Superia 200), Noritsu scans.
Here are some behind the scenes pictures during filming of Endeavour 7 | FILM 1 in August 2019. I don’t have any notes to refer to but from memory the morning was spent inside the Oxford Union and after lunch was spent filming inside and outside a flat near St Catherine’s College. The Oxford Union is one of my favourite places to photograph but when I’m photographing speaking events there I almost always use b&w film so it was nice to use some colour film for a change to show the beautiful interior. The set dressing for the interior of the bedroom in the flat looked amazing and contained lots of little details in terms of props which I’ve tried to record in my pictures below.
[Tech info:] Leica M6, 35/1.2 Voigtlander Nokton, Fuji Superia 200 film (expired), Noritsu scans.
These behind the scenes pictures are from the first day of filming in Oxford for Endeavour 7. After spending the morning filming on New College Lane the rest of the day was spent filming a garden party complete with string quartet which sounded amazing.
[Tech info:] Leica M6, 35/2.8 Zeiss Biogon, Fuji Superia 200, Noritsu scans.
Here are some behind the scenes pictures from the first day of filming in Oxford on Endeavour 7 | FILM 1, August 2019. It was great to see the crew again after nine months. We had a very busy morning on New College Lane but a slightly more relaxed afternoon inside one of the college gardens. Shaun Evans was directing this FILM and his stand-in, Anthony, can be seen in the first shot below. For a change I used my 35mm Zeiss Biogon lens and I really like the colour rendering in these shots especially the ones in the shade on New College Lane. Perhaps I should use it more with colour film.
[Tech info:] Leica M6, 35/2.8 Zeiss Biogon, Fuji Superia 200 film, Noritsu scans.
The last day of filming on Endeavour 7 was mostly interiors but I can’t show any of the action without spoilers so those will have to wait until after UK broadcast. In the meantime here are some non-spoiler shots from the day, mainly the hardworking crew. I had taken along with me some rolls of Kodak TMZ P3200 b&w film because I was expecting low light levels inside and so far I’ve been very impressed with the results since using Kodak TMAX film developer (1+4 dilution, one shot). More to come.
[Tech info:] Leica M6, 35/1.2 Voigtlander Nokton, Kodak TMZ P3200 @ ISO 1600, developed in TMAX developer 1+4, Pakon scans.
Behind the scenes during filming of Endeavour 7 | FILM 3 in Merton College, Oxford. A cold day for the cast and crew but at least it wasn’t raining! As usual, no spoilers. More pictures to follow after UK broadcast.
[Tech info:] Leica M6, 50/1.5 Voigtlander Nokton, Eastman Double X film, developed in D96. Pakon scans.
The Endeavour crew were back in town to work on FILM 2 of Endeavour series 7 and I did some behind the scenes photography. As usual you won’t find any spoilers here. More pictures will follow after UK broadcast. There was a brief passing shower in the morning and then the rest of the day stayed mainly overcast which seems to have worked nicely with the film I was using (Eastman Double X). Usually I would develop this film in Kodak D76 but I decided to splurge on the correct developer which is Kodak D96 and I’m glad I did because these are the best tones I have seen from this film considering the dull light.
[Tech info:] Leica M6, 50/1.5 Voigtlander Nokton, Eastman Double X film, developed in D96, Pakon scans.
Only a handful of pictures in this post because the rest of the shots on this roll contain spoilers so they will have to wait until after broadcast. This location was used after the scenes at the Oxford Union were finished. I like how Fuji Superia 200 handles colours even in bright sunlight. Too bad it’s not made anymore.
[Tech info:] Leica M6, 40/1.4 Voigtlander Nokton, Fuji Superia 200, Noritsu scans.
Behind the scenes photography during filming of Endeavour 7 | FILM 1 in Oxford, August, 2019. On this day the morning was spent filming inside the Oxford Union and I had used b&w film pushed to ISO 1600 due to the low light levels. After lunch I decided to load a roll of colour film because the colours inside were so rich (those shots will follow after this episode has been broadcast) and I knew the next location would be outdoors and the sun was too bright for ISO 1600.
[Tech info:] Leica M6, 40/1.4 Voigtlander Nokton, Fuji Superia 200 film, Noritsu scans.
