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Endeavour crew portraits – part 1

Thursday, June 29th, 2017

This is a slightly different Endeavour post than usual because there are no shots of filming equipment, cool looking vintage cars or costumes. Here are portraits I made of some of the Endeavour crew on the last day of filming on series 5, episode 2. I really enjoyed spending the whole day with them at their base and can’t say enough about how hardworking and talented this crew is. This was towards the end of a very busy and extremely hot day of filming. A lot of my pictures from the day will be posted after the episode has been broadcast next year.

[Tech info:] Rolleiflex 2.8F, Zeiss Planar loaded with Ilford HP5, developed in Kodak HC110 1+31 for 5 mins.

Oxford: Woody Harrelson movie screening Q&A

Monday, May 29th, 2017

The Oxford Guild Business Society arranged for Woody Harrelson to screen his new movie Lost in London with a Q&A session afterwards and I went along to do some photography. The movie is not only starring Woody but it’s also written and directed by him as well. If that wasn’t enough it was also filmed in one continuous take and was originally broadcasted live into select cinemas in London and L.A.

The movie was excellent and had me riveted from start to finish. It was a bit like watching a tightrope walker performing without a safety net – you know that anything could go wrong at any time. The Q&A session afterwards was very interesting with some varied questions asked. Woody appeared relaxed and came across as very down to earth. I can’t recommend the movie enough and feel very fortunate to have seen it in this way.

[Tech info] Rolleiflex 2.8F, Zeiss planar, Ilford HP5 @ ISO 1600, developed in Kodak HC110 1+31.

Gear: Lubitel 166U test

Monday, May 22nd, 2017

Here are some test shots from a Lubitel 166U camera that I got in a job lot of stuff that I bought on eBay. For a twin-lens medium format camera it’s very light and similar in styling to the Yashica 124 cameras. I found the viewfinder tricky to use because the image in the viewfinder doesn’t quite cover from corner to corner so you have to move your head around while holding the camera still if you’re to stand any chance of a decent composition. I found it tricky to hold level because it’s light weight but overall I did enjoy using it in a toy camera kind of way.

[Tech info:] Lubitel 166U, Ilford HP5 film, developed in Kodak HC110 1+31.

Lubitel test shots

Lubitel test shots

 

Oxford: Endeavour 3, episode 4 – part 9

Monday, May 23rd, 2016

These shots are from the last episode of Endeavour III – I think I have more pictures from this episode than any of the others. After finishing the roll of film I stored it in my fridge with the intention of developing it myself at some point but I never got the chance so in my fridge it remained for almost 10 months. I finally decided to send it to a lab for developing and here they are.

I felt it somewhat appropriate to post these today as according to the Mammoth Screen Twitter account this is the first day of filming for Endeavour IV.

[Tech info:] Rolleiflex 2.8F, Zeiss Planar, Fuji 400H (expired). Developed by Ag photo lab.

Gear: Pentacon Six TL

Saturday, February 13th, 2016

Here are some images from the first test roll through a medium format camera that I picked up recently. The Pentacon Six TL has been on my radar for the last couple of years because of one particular lens, the Carl Zeiss Jena 180/2.8. As luck would have it I came across a nice condition setup for sale last weekend for a reasonable price so I decided it was time to give it a go.

The first thing that struck me was the size of the front element of the 180/2.8 lens, it’s huge! My largest filters are 77mm but this lens requires 86mm filters. The camera is very nice to use, especially with a prism instead of a waist level finder which makes it easier to balance the big lens. The only camera I have that is similar in size and design is a Pentax 6×7 but two immediate differences struck me about the Pentacon Six TL – it’s a 6×6 format camera so you use it in landscape orientation the whole time, also the mirror in it is a lot quieter than the Pentax 6×7 and doesn’t cause as much camera shake. One thing I didn’t realise about the prism is that the viewfinder is not 100%. I’ve got a lot more image in the frame on the film than I remember seeing through the lens. I’m not sure if this is down to the prism or whether you get the same with the waist level finder (which I don’t have).

So far I’ve enjoyed using this camera and lens combo and look forward to seeing more results from it.

[Tech info:] Pentacon Six TL, Carl Zeiss Jena 180/2.8, Kodak Tri-X (expired 2002) developed in Kodak HC110 1+47 for 8 mins.

Oxford: Endeavour series 3 behind the scenes

Thursday, June 18th, 2015

Behind the scenes photography from series 3 of Endeavour which was filming in Oxford recently. For the first time the crew are filming during the summer which is not helping the moody look and feel of the tv show. I’m curious to see how the final episodes look after they’ve been through grading and post production.

[Tech info:] Rolleiflex 2.8F, Zeiss Planar, Ilford HP5 (expired), developed in Ilfotec LC29 1+19.

Oxford: Endeavour 3, episode 1 – part 2

Monday, May 11th, 2015

The Endeavour crew were back in Oxford filming the first episode from series 3 and here are some shots from behind the scenes. It was very nice to see some familiar faces among the crew which was made up of a mixture of crew members from both Lewis and Endeavour. These shots were all made with my 1960’s Rolleiflex twin lens reflex camera which I like to use for behind the scenes photography because not only is it very quiet but it’s also from the same era as Endeavour is set.

Tech info: Rolleiflex 2.8F, 80mm Zeiss Planar lens, Kodak Tri-X film, processed in Kodak HC110 1+31.

Endeavour behind the scenes

Endeavour behind the scenes

Oxford: Cast & crew of Spilt

Thursday, January 15th, 2015

Spilt is a short film written and directed by Alvin Yu and I was asked if I’d like to do some portrait photography while they were filming in Oxford a couple of weeks ago. Due to timing conflicts I was only able to make it to set on their final day of filming after it had gotten dark outside so I made these portraits indoors with the available light (a bulb hanging from the ceiling in the hallway). The crew were setting up for a shot so I had to work quickly, one frame on each person, no re-takes and no second shot. What you see here is the entire roll of film, uncropped. Apologies to any crew members that I didn’t manage to include, hopefully I’ll get you on another project.

[Tech info:] Rolleiflex 2.8F, Zeiss Planar 80mm, Kodak Tri-X 400 rated at ISO 1600, processed in Kodak Xtol 1+1.

Oxford: Meatchute behind-the-scenes

Wednesday, September 10th, 2014

Some shots from the last day of filming of a short film titled Meatchute, directed by Tom Shennan. It was after I posted my shots from Waterbird that I received an email from Tom asking if I’d be interested in doing some photography during his shoot. I liked the sound of the location and the prosthetic make-up and fortunately it was on my route home from work so I stopped by and shot a roll through my Rolleiflex twin-lens camera – this is the entire roll of 12 shots. The location was very cool in a run down kind of way and I liked the simple lighting they were using with some added smoke for atmosphere. I tried to photograph as many of the cast and crew as possible without disrupting the proceedings too much. Everyone was very nice to work with and I look forward to seeing the final edit.

[Tech info:] Rolleiflex 2.8F, 80/2.8 Planar, Kodak Tri-X @ ISO 800 (expired), processed in Kodak HC110 1+31.

 

Oxford: Waterbird behind-the-scenes – part 2

Sunday, July 27th, 2014

Waterbird is a short film directed by Alex Darby which was being filmed in Oxford a few weeks ago. Alex invited me along to shoot some behind-the-scenes stills during a night shoot in the Westgate car park. Unfortunately I couldn’t stay for very much of it but I did manage to shoot a roll of film of some of the cast and crew.

[Tech info:] Rolleiflex SL66, 80/2.8 Zeiss Planar, Kodak Tri-X @ ISO800, processed in Kodak HC110 for 9 mins.

 

Oxford: Waterbird behind-the-scenes – part 1

Monday, July 14th, 2014

Waterbird is a short film directed by Alex Darby which was being filmed in Oxford last week. Alex invited me along to shoot some behind-the-scenes stills during a night shoot in the Westgate car park. Unfortunately I couldn’t stay for very much of it but I did manage to shoot a roll of film of some of the cast and crew. More to follow.

[Tech info:] Rolleiflex SL66, 80/2.8 Zeiss Planar, Kodak Tri-X @ ISO800, processed in Kodak HC110 for 9 mins.

Oxford: Giffords Circus, 2014 – part 1

Monday, July 7th, 2014

It’s hard to believe that it’s been a year already since Giffords Circus was in town especially as I remember it so well and it feels more recent than that. This year there are familiar faces that I saw last year and also some new people. I saw the show this afternoon and it was fantastic – very different from last year. If you haven’t been to see the show yet I highly recommend it. Here are some portraits I made back stage.

[Tech info:] Rolleiflex SL66, 80/2.8 Zeiss Planar, loaded with Fuji Acros 100, processed in Kodak HC110 1+31.