6×6

...now browsing by tag

 
 

Oxford: Lunch break photo walk

Wednesday, May 2nd, 2018

For a while now I’ve been meaning to use my Bronica SQA but either the weather or other things kept conspiring against me. Last week I finally managed to do it and here’s a set of pictures from the roll I shot during my lunch break photo walk. The shots of the drainpipe and the painted house number sign were made using a +1 close-up filter that I wanted to test and the last three shots were made with a red filter – the Radcliffe Camera shot had a polarising filter as well.

[Tech info:] Bronica SQA, 80/2.8, Ilford Delta 100 developed in Tetenal Ultrafin T-Plus.

Test: Rolleiflex SL66 with Polaroid Land Camera lens

Friday, April 20th, 2018

For the past few years I’ve have had a lens sitting around that I wanted to make use of but never quite got around to it, until now. The lens originally came off of the Polaroid 110B Land Camera that I had modified to a 5×4 large format camera and I didn’t see much point in mounting it to a lens board to use on a different 5×4 camera so it’s been sitting around doing nothing. I wanted to adapt it to work on my Rolleiflex SL66 but the only place I knew of that made an adapter was asking around $80 which is more than I wanted to pay but fortunately a friend mentioned RAF Camera where an adapter cost just under half the price.

After modifying the adapter slightly (two small holes need to be drilled so that small screws on the back of the lens can stop it from twisting) it was ready for testing. Below are some test shots from the first roll. A few things to mention are firstly the focal length is a surprise if you’re mostly used to using the 80mm standard lens as I am and I frequently found myself taking a few steps back from where I thought I would need to stand to a given composition. Secondly, the depth of focus is extremely shallow even at f8 and because the image through the viewfinder gets darker as you stop down it’s difficult to get precise focus without a bright focussing screen in your camera – something that affected my hit rate of sharp shots on this roll. I’ll use a tripod for the next roll I use with this setup to see the difference. All shots made during my lunch break.

[Tech info:] Rolleiflex SL66, Enna Werk München 127mm f4.7 lens, Ilford Delta 100 (expired), developed in Tetenal Ultrafin T-Plus.

 

Oxford: Endeavour 5, FILM 5 – part 5

Saturday, March 10th, 2018

Behind the scenes during filming of Endeavour 5, FILM 5 in Brasenose college, Oxford. These shots are all from the same roll of film through my Rolleiflex. The scenes filmed on this day take place before the scenes filmed on the previous day in Radcliffe Square but it all matched up well in the final edit. Whenever I get the chance I try to photograph SA’s (supporting artiste’s) because I like the outfits from the 1960’s. You may recognise the college don below from various different Endeavour episodes and maybe even some other tv shows and movies.

[Tech info:] Rolleiflex 2.8F Zeiss Planar, Ilford HP5 developed in Kodak HC-110 1+31.

Oxford: Endeavour 5, FILM 4 – part 11

Thursday, March 8th, 2018

Behind the scenes photography from the filming of Endeavour series 5, FILM 4 in Oxford. It was mid-August when the picnic scene was filmed in Oxford’s Botanic Gardens and what was meant to be a nice summer’s evening ended up looking more like drizzly October. That’s when the magic of a large light ended up transforming the scene to look like the sun had broken through the heavy overcast sky – I shot some wider shots to show how dark the sky was. The last frame is from the next setup which was a nice scene that didn’t make the final edit. This was the last frame on this roll, more from that scene will follow in a future blog post.

[Tech info:] Rolleiflex 2.8F, Zeiss planar, Ilford HP5 film @ ISO 1600, developed in Kodak HC-110.

Oxford: Endeavour 5, FILM 4 – part 10

Saturday, March 3rd, 2018

In this instalment of behind the scenes Endeavour photography you get a look at scenes that were filmed outside and inside the Oxford Union debating chamber. These shots are all from the same roll and the last frame was at the unit base on the last day of filming a couple of weeks later. I’ve photographed quite a lot of events at the Oxford Union so I’m familiar with the interior of the debating chamber and I really enjoyed seeing it completely transformed with lighting and haze lingering in the air. The scene outside where the flour bomb was thrown took a lot of planning and rehearsing. The shots below were with a stunt woman.  One of my favourite b&w films to use is Ilford HP5 but to mix things up a bit I decided to use Kodak Tri-X for these shots.

[Tech info:] Rolleiflex 2.8F Zeiss Planar, Kodak Tri-X film @ ISO 800, developed in Kodak HC-110 1+31.

Endeavour: portraits on the last day of series 5

Thursday, December 7th, 2017

These portraits were made on the last day of filming of Endeavour series 5. Towards the end of a very busy day I managed to find a place in the corridor of the CID interior set where there was a nice pool of soft light that was perfect for some portraits so I took full advantage of it. In all of the years I have been photographing behind the scenes on Endeavour this was only the third occasion that I had seen Anton Lesser on set so I was especially pleased to have a chance to make his portrait just before a take. Unfortunately I didn’t get a chance to photograph more of the cast and crew on this occasion.

[Tech info:] Rolleiflex 2.8F, Zeiss Planar, Ilford HP5 @ ISO 1600, developed in Kodak XTOL 1+1 18mins.

Oxford Union: Baz Luhrmann Q&A – part 2

Monday, December 4th, 2017

Whenever I photograph Q&A events at the Oxford Union I try to use both 35mm and medium format film cameras for a bit of variety. These shots were made with my Rolleiflex TLR during Baz Luhrmann’s visit to the Oxford Union. I had the opportunity to make a quick portrait of Baz before the start of the event and quickly positioned him next to a floor standing lamp that was in the Gladstone room where the drinks reception had taken place. I only had time to shoot one frame but sometimes that’s all you need.

[Tech info:] Rolleiflex 2.8F Zeiss Planar, Ilford HP5 @ ISO 1600, developed in Kodak HC110 1+15.

Black Country Living Museum – part 1

Saturday, October 14th, 2017

This set of pictures is from my first visit to the Black Country Living Museum in Dudley. It’s a great place to visit, especially for photography and as the entrance ticket is valid for return visits for a whole year I’m already looking forward to going back there. For sale in the gift shop was a filming locations map for a tv show called Peaky Blinders which is partly filmed there and although I haven’t watched it I can see how the living museum could easily be transformed into a film set.

[Tech info:] Rolleiflex 2.8F Zeiss Planar, Ilford HP5 @ ISO 800, developed in Kodak HC110 1+31.

Oxford: Endeavour 5, episode 2 – part 6

Friday, October 6th, 2017

These pictures are from the first day of filming in Oxford for Endeavour series 5 episode 2 in June 2017. The day started off nice and sunny as I recall and by mid-morning the streets were full of tourists which made filming quite difficult. There was a returning director on this episode – Andy Wilson – who I remember photographing briefly in 2014 when he was directing the episode titled Sway. The shots here are from half the roll of film, the other half contains episode spoilers so I’ll post those at a later date after the episode has been broadcast.

[Tech info:] Rolleiflex 2.8F Zeiss Planar, Fuji 400H film developed in a Fuji Xpress C41 kit.

 

Oxford: Endeavour 5, episode 4 – part 1

Thursday, August 10th, 2017

The Endeavour crew were back in Oxford for a few days of filming for episode 4 of series 5 and I did some behind the scenes photography. Here are some shots from Exeter college where they were mostly doing interior scenes. I’ll share some of the interior pictures after the episode has been broadcast – no spoilers! For these shots I was trying out a film I don’t often use – Ilford Delta 100. The day was sunny and bright but most of the action was in the shade and I struggled with sufficient depth of field on some of these shots. Next time I’ll stick with Hp5. The last shot on this roll is from Radcliffe Square where a short scene was filmed. The big light on the scaffolding provided a little rim light.

[Tech info:] Rolleiflex 2.8F, Ilford Delta 100, developed in Tetenal Ultrafin 1+20.

 

Endeavour crew portraits – part 1

Thursday, June 29th, 2017

This is a slightly different Endeavour post than usual because there are no shots of filming equipment, cool looking vintage cars or costumes. Here are portraits I made of some of the Endeavour crew on the last day of filming on series 5, episode 2. I really enjoyed spending the whole day with them at their base and can’t say enough about how hardworking and talented this crew is. This was towards the end of a very busy and extremely hot day of filming. A lot of my pictures from the day will be posted after the episode has been broadcast next year.

[Tech info:] Rolleiflex 2.8F, Zeiss Planar loaded with Ilford HP5, developed in Kodak HC110 1+31 for 5 mins.

Oxford: Woody Harrelson movie screening Q&A

Monday, May 29th, 2017

The Oxford Guild Business Society arranged for Woody Harrelson to screen his new movie Lost in London with a Q&A session afterwards and I went along to do some photography. The movie is not only starring Woody but it’s also written and directed by him as well. If that wasn’t enough it was also filmed in one continuous take and was originally broadcasted live into select cinemas in London and L.A.

The movie was excellent and had me riveted from start to finish. It was a bit like watching a tightrope walker performing without a safety net – you know that anything could go wrong at any time. The Q&A session afterwards was very interesting with some varied questions asked. Woody appeared relaxed and came across as very down to earth. I can’t recommend the movie enough and feel very fortunate to have seen it in this way.

[Tech info] Rolleiflex 2.8F, Zeiss planar, Ilford HP5 @ ISO 1600, developed in Kodak HC110 1+31.