Some pictures from an evening walk around Happy Valley in March 2021. I was experimenting with depth of field as the sun was dropping. I keep meaning to go back here with a larger format camera and feel the pond there has potential in different seasons.
[Tech info:] Nikon FA, 50/1.4D, Ilford FP4, developed in Kodak HC110 1+31, Pakon scans.
Here are some pictures from a recent walk around Jericho with a mate of mine. I wanted to test out a camera and it’s been quite a while since I walked around Jericho so it was nice to combine the two. This roll of FP4 film is part of the blotchy batch I have and rather than throw it away, I use it for testing.
[Tech info:] Mamiya 645 ProTL, 80/2.8N, Ilford FP4, developed in HC110 1+31.
Behind the scenes during filming of Endeavour 8 | FILM 1 in Exeter college, Oxford. For a change I decided to use Kodak Tri-X because the weather was mostly cloudy and it allowed me to use a slightly deeper depth of field than usual when I’m using Eastman Double X. I like how the tones have come out with nice rich blacks.
[Tech info:] Leica M6, 50/1.5 Voigtlander Nokton, Kodak Tri-X developed in HC110 1+31, Pakon scans.
During December 2020 the UK saw a lot of rainfall and some parts of the country were flooded. I don’t remember Oxford receiving enough rain to cause flooding but as the massive volume of water from other parts comes rushing through Oxford the rivers swell which in turn causes some areas to flood, especially a local meadow. I made the most of the flooding and did some photography with a large format camera I’ve been wanting to try out for a while. It’s custom made with a 75mm Schneider lens which is fitted to a helicoid for focussing and the back rotates – something I found out by accident which was a nice bonus. There is no branding on it but it’s extremely well designed and made.
I wanted to fill the frame with sky and the reflection in the water so I had to stand in the water because a 75mm on 5×4 film gives an extremely wide angle of view. The Benbo Mk 2 tripod is perfect for this because the legs extend upwards from inside the bottom part of the legs and is designed to stand in water. What a didn’t realise was how easily one of the feet would end up coming off in the mud because it had a split in it, something I only noticed once I got back home. Fortunately Paterson in the UK still sell spares and supply them in a pack of 3. I’ve included some behind the scenes pictures below.
[Tech info:] Custom red dot 5×4 camera, 75mm Schneider lens, FP4 film (expired), developed in Kodak HC110 1+31 (-1 minute to prevent the highlights blowing out).
Here are some shots I made on 10×8 x-ray film recently. The shot from Catte Street with the Radcliffe Camera was actually made last summer but I only came across the film holder recently. That’s over 12 months that the latent image was sitting quietly on the film before it got developed. Speaking of developing, I used a bottle of developer that expired in 2014, it was sealed and the colour looked good so I thought I’d give it a try. If anything it seems to have tamed the contrast that is often found in x-ray films so I’m happy with that.
[Tech info:] Intrepid 10×8 camera, 300mm/f4.2 Plaubel Anticomar lens, Fuji Super HR-T x-ray film, developed in HC110 1+100 for 7 mins.
Radcliffe Camera image: 10×8 Tachihara, 210mm/f5.6 Nikon lens which just about covers 10×8. I applied some front rise on this shot.
Behind the scenes during filming of Endeavour series 5, FILM 1 in Oxford on 30th October 2017. Despite the overcast looking light I think it was fairly bright on this day because I used a relatively slow film, certainly slower than I usually would on a dull day. It was nice not to be fighting contrast for a change.
[Tech info:] Konica Hexar AF, Ilford FP4, developed in Kodak HC110 1+31. Pakon scans.
Behind the scenes during filming of Endeavour series 5, episode 4 in Oxford, August 2017. This set of pictures shows a scene outside the Free School on Holywell Street (which is actually the Holywell Music Room) where Endeavour and Joan Thursday have a conversation in the Black Jag but this scene didn’t make the final edit. After that there was a location move to the Botanic Gardens for a picnic scene which was meant to take place on a sunny summers day but it was now approaching the evening and the sky clouded over -this is where a huge light was brought in to act as the sun.
[Tech info:] Leica M6, 40/1.4 Voigtlander Nokton, Eastman Double X motion picture film developed in Kodak HC110. Pakon scans.
Behind the scenes photography from a busy day of filming Endeavour 5 FILM 6 on Turl Street in Oxford. This was a fun day of filming with lots going on. As I look back through these pictures I notice at least one shot that was filmed which didn’t make it to the final edit – where Fred Thursday crosses the street and the Jamaican gangsters drive past in their car. The Art department did an excellent job of transforming the Oxfam Bookshop into a pet shop but you don’t really get to see much of the detail on screen in the final edit.
[Tech info:] Konica Hexar AF, Ilford HP5 film, developed in Kodak HC110 1+31 for 5.30. Pakon scans.
Behind the scenes photography during filming of Endeavour 5 | FILM 6 in Oxford, October 2017. The first few shots are from the scene outside the pet shop towards the end of the day when the light level was rapidly dropping. Although there was a stunt team on hand the actors did their own stunts in this scene. The following morning it was a bright and sunny start on Christ Church meadow where the harsh sunlight made it tricky to move around without casting a shadow into shot.
It’s hard to believe this was almost 7 months ago. Lots more pictures still to come from Endeavour 5.
[Tech info:] Konica Hexar AF, Ilford HP5 film developed in Kodak HC110 1+31 for 5.30. Pakon scans.
Behind the scenes photography during the filming of Endeavour series 5, FILM 6 in Oxford. This was a busy day of filming for the crew with the bulk of the time spent on the drive-by shooting outside the pet shop on Turl Street (the Oxfam bookshop on any other day). The first set up was outside Joan’s flat – you can see leaves on the ground as this was the end of October and Autumn was on the turn. More shots to come from this day of filming.
[Tech info:] Hexar AF, Ilford FP4 film developed in Kodak HC110 1+31. Pakon scans.
The Oxford University Photography Society organised a field trip to visit the Martin Parr Foundation in Bristol a couple of months ago and I went along with a group of society members to have a tour of the place and to see the latest exhibition that had just gone up. Martin was a great host and after making us all tea’s and coffee’s he explained a bit of the back story of the foundation and then showed us around the building including a peek at some beautiful vintage prints and book dummy’s from other photographers that he’s collected over the years. Then after being shown a selection of photo books that are part of the ever growing library – some of which are extremely rare and valuable – we had some time to have a Q&A with Martin before having an opportunity to finish off our visit with a viewing of the current exhibition of street portraits by Niall McDiarmid.
We all thoroughly enjoyed our visit and I certainly came away with appreciating the beauty of photography in a printed form, whether that’s as a print or in a book. If you haven’t been to visit I highly recommend it and I’m very much looking forward to my next visit.
[Tech info:] Leica M6, Voigtlander 40/1.4 Nokton, Ilford HP5 @ ISO1600, developed in Kodak HC110 1+31. Pakon scans.
Last month I visited the Black Country Living Museum in Dudley for the second time and on this trip I decided to take along a large format camera for a change. The most portable 5×4 camera I have is a modified Polaroid 110B which folds up nicely to make it very portable and easy to travel with. I’ve got some sheets that I haven’t developed yet and those will follow in a future blog post.
[Tech info:] Polaroid 110B, Yashinon 127mm lens, Ilford FP4 film (expired), developed in Kodak HC110 1+31. Last shot was made on Fomapan 100 (expired), developed in Rodinal 1+25.
