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Oxford Union: Baz Luhrmann Q&A – part 2

Monday, December 4th, 2017

Whenever I photograph Q&A events at the Oxford Union I try to use both 35mm and medium format film cameras for a bit of variety. These shots were made with my Rolleiflex TLR during Baz Luhrmann’s visit to the Oxford Union. I had the opportunity to make a quick portrait of Baz before the start of the event and quickly positioned him next to a floor standing lamp that was in the Gladstone room where the drinks reception had taken place. I only had time to shoot one frame but sometimes that’s all you need.

[Tech info:] Rolleiflex 2.8F Zeiss Planar, Ilford HP5 @ ISO 1600, developed in Kodak HC110 1+15.

Oxford Union: Sir Ian McKellen Q&A – part 2

Tuesday, November 28th, 2017

These pictures were made with my medium format Rolleiflex camera during Sir Ian McKellen’s visit to the Oxford Union for a Q&A event. Whenever possible I try to photograph the Oxford Union events I attend with both 35mm and medium format film but the 35mm pictures always get posted to this blog first because they are faster to scan.

[Tech info:] Rolleiflex 2.8F Zeiss Planar, Ilford HP5 @ ISO 1600 developed in Kodak HC110 1+15 (using the ISO 3200 dev time).

Black Country Living Museum – part 1

Saturday, October 14th, 2017

This set of pictures is from my first visit to the Black Country Living Museum in Dudley. It’s a great place to visit, especially for photography and as the entrance ticket is valid for return visits for a whole year I’m already looking forward to going back there. For sale in the gift shop was a filming locations map for a tv show called Peaky Blinders which is partly filmed there and although I haven’t watched it I can see how the living museum could easily be transformed into a film set.

[Tech info:] Rolleiflex 2.8F Zeiss Planar, Ilford HP5 @ ISO 800, developed in Kodak HC110 1+31.

Oxford: Endeavour 5, episode 2 – part 6

Friday, October 6th, 2017

These pictures are from the first day of filming in Oxford for Endeavour series 5 episode 2 in June 2017. The day started off nice and sunny as I recall and by mid-morning the streets were full of tourists which made filming quite difficult. There was a returning director on this episode – Andy Wilson – who I remember photographing briefly in 2014 when he was directing the episode titled Sway. The shots here are from half the roll of film, the other half contains episode spoilers so I’ll post those at a later date after the episode has been broadcast.

[Tech info:] Rolleiflex 2.8F Zeiss Planar, Fuji 400H film developed in a Fuji Xpress C41 kit.

 

Oxford: Endeavour 5, episode 4 – part 1

Thursday, August 10th, 2017

The Endeavour crew were back in Oxford for a few days of filming for episode 4 of series 5 and I did some behind the scenes photography. Here are some shots from Exeter college where they were mostly doing interior scenes. I’ll share some of the interior pictures after the episode has been broadcast – no spoilers! For these shots I was trying out a film I don’t often use – Ilford Delta 100. The day was sunny and bright but most of the action was in the shade and I struggled with sufficient depth of field on some of these shots. Next time I’ll stick with Hp5. The last shot on this roll is from Radcliffe Square where a short scene was filmed. The big light on the scaffolding provided a little rim light.

[Tech info:] Rolleiflex 2.8F, Ilford Delta 100, developed in Tetenal Ultrafin 1+20.

 

Endeavour crew portraits – part 1

Thursday, June 29th, 2017

This is a slightly different Endeavour post than usual because there are no shots of filming equipment, cool looking vintage cars or costumes. Here are portraits I made of some of the Endeavour crew on the last day of filming on series 5, episode 2. I really enjoyed spending the whole day with them at their base and can’t say enough about how hardworking and talented this crew is. This was towards the end of a very busy and extremely hot day of filming. A lot of my pictures from the day will be posted after the episode has been broadcast next year.

[Tech info:] Rolleiflex 2.8F, Zeiss Planar loaded with Ilford HP5, developed in Kodak HC110 1+31 for 5 mins.

Oxford: Woody Harrelson movie screening Q&A

Monday, May 29th, 2017

The Oxford Guild Business Society arranged for Woody Harrelson to screen his new movie Lost in London with a Q&A session afterwards and I went along to do some photography. The movie is not only starring Woody but it’s also written and directed by him as well. If that wasn’t enough it was also filmed in one continuous take and was originally broadcasted live into select cinemas in London and L.A.

The movie was excellent and had me riveted from start to finish. It was a bit like watching a tightrope walker performing without a safety net – you know that anything could go wrong at any time. The Q&A session afterwards was very interesting with some varied questions asked. Woody appeared relaxed and came across as very down to earth. I can’t recommend the movie enough and feel very fortunate to have seen it in this way.

[Tech info] Rolleiflex 2.8F, Zeiss planar, Ilford HP5 @ ISO 1600, developed in Kodak HC110 1+31.

Oxford: Endeavour 3, episode 4 – part 9

Monday, May 23rd, 2016

These shots are from the last episode of Endeavour III – I think I have more pictures from this episode than any of the others. After finishing the roll of film I stored it in my fridge with the intention of developing it myself at some point but I never got the chance so in my fridge it remained for almost 10 months. I finally decided to send it to a lab for developing and here they are.

I felt it somewhat appropriate to post these today as according to the Mammoth Screen Twitter account this is the first day of filming for Endeavour IV.

[Tech info:] Rolleiflex 2.8F, Zeiss Planar, Fuji 400H (expired). Developed by Ag photo lab.

Oxford: Endeavour series 3 behind the scenes

Thursday, June 18th, 2015

Behind the scenes photography from series 3 of Endeavour which was filming in Oxford recently. For the first time the crew are filming during the summer which is not helping the moody look and feel of the tv show. I’m curious to see how the final episodes look after they’ve been through grading and post production.

[Tech info:] Rolleiflex 2.8F, Zeiss Planar, Ilford HP5 (expired), developed in Ilfotec LC29 1+19.

Oxford: Endeavour 3, episode 1 – part 2

Monday, May 11th, 2015

The Endeavour crew were back in Oxford filming the first episode from series 3 and here are some shots from behind the scenes. It was very nice to see some familiar faces among the crew which was made up of a mixture of crew members from both Lewis and Endeavour. These shots were all made with my 1960’s Rolleiflex twin lens reflex camera which I like to use for behind the scenes photography because not only is it very quiet but it’s also from the same era as Endeavour is set.

Tech info: Rolleiflex 2.8F, 80mm Zeiss Planar lens, Kodak Tri-X film, processed in Kodak HC110 1+31.

Endeavour behind the scenes

Endeavour behind the scenes

Oxford: Cast & crew of Spilt

Thursday, January 15th, 2015

Spilt is a short film written and directed by Alvin Yu and I was asked if I’d like to do some portrait photography while they were filming in Oxford a couple of weeks ago. Due to timing conflicts I was only able to make it to set on their final day of filming after it had gotten dark outside so I made these portraits indoors with the available light (a bulb hanging from the ceiling in the hallway). The crew were setting up for a shot so I had to work quickly, one frame on each person, no re-takes and no second shot. What you see here is the entire roll of film, uncropped. Apologies to any crew members that I didn’t manage to include, hopefully I’ll get you on another project.

[Tech info:] Rolleiflex 2.8F, Zeiss Planar 80mm, Kodak Tri-X 400 rated at ISO 1600, processed in Kodak Xtol 1+1.

Oxford: Meatchute behind-the-scenes

Wednesday, September 10th, 2014

Some shots from the last day of filming of a short film titled Meatchute, directed by Tom Shennan. It was after I posted my shots from Waterbird that I received an email from Tom asking if I’d be interested in doing some photography during his shoot. I liked the sound of the location and the prosthetic make-up and fortunately it was on my route home from work so I stopped by and shot a roll through my Rolleiflex twin-lens camera – this is the entire roll of 12 shots. The location was very cool in a run down kind of way and I liked the simple lighting they were using with some added smoke for atmosphere. I tried to photograph as many of the cast and crew as possible without disrupting the proceedings too much. Everyone was very nice to work with and I look forward to seeing the final edit.

[Tech info:] Rolleiflex 2.8F, 80/2.8 Planar, Kodak Tri-X @ ISO 800 (expired), processed in Kodak HC110 1+31.