Behind the scenes during filming of Endeavour 8 episode 2 in Oxford, April 2021. The first two images show a character who sadly didn’t make it into the final edit which is a shame because it was an intriguing scene.
[Tech info:] Leica M6, (can’t remember which lens), Eastman Double X film, developed in D96 for 7.30. Pakon scans.
Behind the scenes photography during filming of Endeavour series 8 episode 2 in Wellington Square, Oxford. April 2021, lockdown restrictions had eased enough to allow filming to commence. I limited my photography to the exterior scenes. A nice little detail to look out for is the box of matches inside the taxi with the C. Dexter Matches brand.
[Tech info:] Leica M6, Eastman Double X motion picture film, developed in D96 stock for 7.30, Pakon scans.
Behind the scenes (socially distanced) photography during filming of Endeavour 8 episode 1 on Merton Street in Oxford. I can’t remember the last time the streets were this empty while the Endeavour crew were here – it was rather nice.
[Tech info]: Leica M6, 50/1.5 Voigtlander Nokton, Eastman Double X film developed in D96. Pakon scans.
I’ve borrowed a Contax T2 point and shoot camera from a kind friend of mine and have been taking it with me on a few walks recently to see if it lives up to its reputation. So far I can’t say it has. Below are some examples from a recent walk and you can see in three of them only the centre of the frame is in focus and the outer edge of the frame looks so distorted I wonder if there’s an alignment problem with the lens. Surely it can’t be down to a shallow depth of field. The strange thing is in the shot of the moss covered branch (second image) the blurry edges aren’t there so maybe it’s more to do with focussing at infinity? Maybe this is normal for this camera but no one has mentioned it in any reviews? Not sure.
[Tech info:] Contax T2, Eastman Double X film, developed in FPP D96 for 7mins 30secs. Pakon scans.
The Sunny 16 photography podcast arranged a photowalk in Oxford back in February and I agreed to show the group of film photographers around my home town. After 9 months I’ve finally managed to develop my films from the day and here’s a selection from the first roll. Part of the delay was because I wanted to wait until I had enough rolls to develop at once before ordering special developer to bring the best out of this motion picture film – Eastman Double-X.
There are different developer options on the market but on this occasion I decided to give FPP D96 a try partly because one packet of powder mixes into 3.8 litres of stock solution which is great value. I’ve been using 1 litre of stock to develop my rolls with 70ml of replenishment from fresh stock per roll. After 8 rolls developed the results still look great.
[Tech info:] Leica M2, 40/1.4 Voigtlander Nokton, Eastman Double-X, developed in FPP D96 stock for 7min 30secs, Pakon scans.
Some shots here from a lunch break photo walk where I was testing a lens and a film + filter combination. The lens is a Nikon 28mm f2.0 AIS that is very beaten up. There’s a slight rattle inside if I shake it so I’d say all is not well with it but I’m beginning to like the strange almost lens-baby-style blur it gives when used at wide apertures. The film and filter combination I was testing was Eastman Double X motion picture film combined with an orange filter. The D96 developer I’m using is a 1 litre stock solution that I’ve developed 7 rolls through and these negs look fairly thin so I think I should be increasing the development time although there is no mention of doing that from Nik & Trick (the supplier I purchased it from). The 1 litre solution is said to be good for 18 rolls but I’m not so optimistic.
[Tech info]: Nikon FA (aperture priority), Nikon 28mm f2.0 AIS lens, orange filter, Eastman Double X (expired) developed in D96 for 7 mins.
Behind the scenes during filming of Endeavour 7 | FILM 3 in Merton College, Oxford. A cold day for the cast and crew but at least it wasn’t raining! As usual, no spoilers. More pictures to follow after UK broadcast.
[Tech info:] Leica M6, 50/1.5 Voigtlander Nokton, Eastman Double X film, developed in D96. Pakon scans.
The Endeavour crew were back in town to work on FILM 2 of Endeavour series 7 and I did some behind the scenes photography. As usual you won’t find any spoilers here. More pictures will follow after UK broadcast. There was a brief passing shower in the morning and then the rest of the day stayed mainly overcast which seems to have worked nicely with the film I was using (Eastman Double X). Usually I would develop this film in Kodak D76 but I decided to splurge on the correct developer which is Kodak D96 and I’m glad I did because these are the best tones I have seen from this film considering the dull light.
[Tech info:] Leica M6, 50/1.5 Voigtlander Nokton, Eastman Double X film, developed in D96, Pakon scans.
This set of pictures are from a recent lunch break photo walk where I managed to finish a whole roll during the hour. I’ve been using quite a bit of Eastman Double X motion picture film recently because I bought a bottle of D96 developer and I didn’t want it to go off without much use. So far I have been very pleased with the results especially in controlling contrast.
[Tech info:] Yashica Electro 35, Eastman Double X film, developed in D96, Pakon scans.
For quite a while I’ve been looking for a cheap half-frame camera to test out and I finally managed to get one when I was least expecting it in a mixed lot of camera bits I picked up at auction. It’s an Olympus EE-3 which is fixed focus and true point and shoot because apart from the manual aperture settings when using flash, there are no other controls that you can change. The selenium cell light meter is dead on my camera but the shutter works so I decided to test it during a lunch break photo walk around Oxford. With 72 frames to get through on a roll of 36 exposure film I was able to be very instinctive with my shots – see something, point, click, move on. There’s no need to carefully consider the composition on every frame because this camera lets you use it almost without thinking, just like when you blink without thinking about it first, you just do it.
Here’s a selection of pictures from the first test roll and it looks like the camera is working well despite the dead light meter. I assume it’s working at sunny 16.
[Tech info:] Olympus EE-3, Eastman Double X motion picture film, developing in D96 for 7 mins, Pakon scans.
