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Endeavour 8: FILM 2 – part 4

Tuesday, April 12th, 2022

Behind the scenes photography during filming of Endeavour 8 | FILM 2 in Oxford, April 2021. This was a night shoot in Wellington Square, the location for Joan Thursday’s flat. In reality it’s a couple of doors down from the exterior of Endeavour’s basement flat in series 3. I used Kodak TMAX P3200 film on this occasion because I like how it handles high contrast during night photography but to get the best out of this film I’ve found you need to use Kodak TMAX film developer and agitate every 30 secs as described in the Kodak film data sheet.

[Tech info:] Leica M6, 50/1.5 Voigtlander Nokton, Kodak TMAX P3200, developed in TMAX developer. Pakon scans.

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Oxford: Foggy Boxing Day

Tuesday, January 4th, 2022

Here are some shots made during a foggy night in Oxford on Boxing Day last year, between 10pm and 12am. I chose to develop the film in 510 Pyro to see how well it held the highlights and I’m pleased to say it did exceptionally well as you can see from the pictures. The dynamic range between the street lights and the dark shadows in these night shots is huge but it didn’t seem to give 510 Pyro any problems. One of the last shots I calculated to be a 4 minute exposure with reciprocity but in hindsight I feel I miscalculated and overexposed the shot by at least 1.5 stops but the shot it still totally usable.

[Tech info:] Pentax 645N, 55/2.8, Ilford FP4, developed in 510 Pyro 1+100 for 11mins.

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Oxford: Foggy New Year’s Eve

Monday, January 4th, 2021

During the evening of New Year’s Eve 2020 a thick fog descended on Oxford and it was the most atmospheric I’ve seen especially with the empty streets and shops and restaurants closed. Here are some pictures from that evening which I made on b&w film. I shot two rolls of colour but they haven’t been developed yet. I should’ve packed more film.

The roll expired in 2019 so I didn’t expect there to be any problems. Unfortunately there is a mottling on these images which has been caused by the film being in contact with the backing paper, something which I haven’t experienced with Ilford film before. Apparently this is a common problem.

[Tech info:] Pentax 645NII, 45-85mm, Ilford HP5 (expired), developed in Ilford Ilfosol 3 1+9 for 6min 30sec in a Jobo.

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Oxford: Moonlit meadow

Sunday, January 3rd, 2021

On 29th December 2020 there was an unusually bright moon so I ventured out to do some moonlighting. The moon was possibly a day away from being full and the sky was completely clear. Here’s a shot of a flooded meadow I had been photographing at the end of December (more of those pictures to come). The exposure time for this was 2 minutes. I bracketed exposures and made a 3 minute exposure which has a brighter sky but the reflection in the water is not as clear.

[Tech info]: Mamiya Universal, 50/6.3 lens, Fuji Across 100, 6×9 back, developed in Ilford Ilfosol 3, 1+9 for 6m 30s in a Jobo.

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Oxford: Night photography

Sunday, October 15th, 2017

For quite a while I have wanted to use some Fuji Acros 100 film for night photography because it supposedly does not suffer from reciprocity failure for exposure times up to 1 minute and now that it has started to get darker earlier I decided it was finally time to give it a go. On this occasion I was joined by Graeme – one of the presenter’s of the Sunny 16 podcast – which made for a fun evening of photography and chat. We got lucky with the weather and the temperature was unusually mild for the end of September which made standing around for long exposures no problem at all. The last shot below of the Radcliffe Camera was exposed for just over 1 minute and I added in a little light painting on the roof for good measure. This film certainly didn’t lose sensitivity for such a long exposure time and I will be using it again for more night photography soon.

[Tech info:] Fuji GW690, Fuji Acros 100 film, developed in Rodinal 1+25.

Oxford: Endeavour 5, episode 4 – part 5

Thursday, August 17th, 2017

Behind the scenes during late night filming of Endeavour series 5 episode 4 in Oxford. This was a tricky little set up that took quite a bit of planning, rehearsing and lighting to transform what is usually a very dark street. You can see in some of the earlier shots how dark the background is compared to when the bright background light was switched on to give a wash of light across the fronts of the buildings.

[Tech info:] Leica M6, 40/1.4 Voigtlander Nokton, Ilford HP5 @ ISO 1600, developed in HC110 1+31, Pakon scans.