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Oxford: Matriculation 2022 – part 1

Tuesday, October 18th, 2022

Some pictures from Oxford Matriculation this year, the first time this event has taken place in-person since 2019. Fortunately it didn’t rain. Students from Jesus college were a particularly lively bunch this year, I enjoyed photographing them. This is always a tricky event to photograph due to all the black and white fabric – you’d be hard pressed to find a higher contrast situation. Add backlighting to the mix and all bets are off for a nice tonal range. This year I took a variety of cameras with me, more to follow.

[Tech info:] KIEV 60, Arsat 30mm f3.5 fish-eye lens, mix of films (FP4 and Delta 100 pushed 1 stop).

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Tags: 30mm, 6x6, black&white, film, fish-eye, kiev 60, matriculation, oxford, people, students

Oxford: Beard Festival 2022 – part 3

Saturday, September 17th, 2022

The last few portraits I made at the Oxford Beard Festival 2022. Thank you to everyone that stood very still for me. I’m pleased with how the portraits turned out.

[Tech info:] Sinar P 10×8, Dallmeyer 3A lens, f8 3D printed Waterhouse stop. Fomapan 100 (expired 2017) ISO 50, Kodak HC110 1+63 10mins.

20220910_Beard-fest_10x8_Dallmeyer-3A_Foma100_HC110-H_011_web

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Tags: 10x8, beard, black&white, dallmeyer, film, fomapan, hc110, oxford, people, portraits, sinar

Oxford: Beard Festival 2022 – part 2

Monday, September 12th, 2022

More portraits from the Oxford Beard Festival 2022. Part 1 is here. I’ve noticed that the depth of field differs in some of my beard festival portraits and thinking about it now I’ve got a feeling it’s because I tilted the camera forward or back depending on the height of the person I was photographing. In hindsight I should have kept the back of the camera vertical and raised the lens or the centre column on the tripod. Something to remember next time.

[Tech info:] Sinar P 10×8, Dallmeyer 3A lens, f8 3D printed Waterhouse stop. Fomapan 100 (expired 2017) ISO 50, Kodak HC110 1+63 10mins.

20220910_Beard-fest_10x8_Dallmeyer-3A_Foma100_HC110-H_06_web

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Tags: 10x8, black&white, dallmeyer, film, fomapan, hc110, oxford, people, portraits

Oxford: Beard Festival 2022 – part 1

Sunday, September 11th, 2022

The first and only time I photographed the Oxford Beard Festival was in 2015 – you can see those pictures here. Ever since then I have been thinking about and this year I finally managed to make it there again. This time I wanted to use a 10×8 large format camera but the slight hiccup being the weight of my kit was far too much for me to carry on my back and the venue for the event was a pub on the river without any access by car. I decided the only way to do it was to transport my kit in a borrowed wheelbarrow and it worked like a charm albeit leaving my arms feeling 3 inches longer by the end of it.

[Tech info:] Sinar P 10×8, Dallmeyer 3A lens, f8 3D printed Waterhouse stop. Fomapan 100 (expired 2017) ISO 50, Kodak HC110 1+31 6mins.

20220910_Beard-fest_10x8_Dallmeyer-3A_Foma100_HC110B_01_web

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Tags: 10x8, beard, black&white, dallmeyer, film, fomapan, hc110, oxford, people, portraits, sinar

Oxford: Speed Graphic street portraits – part 1

Wednesday, August 24th, 2022

After being on a bit of a roll with my large format street portraits I decided to take my Speed Graphic out with a lens I’ve been meaning to use for a while – 165mm f2.7 Zeiss Tessar. I repurposed the lens from a folding camera which was well past its best with a perished shutter. Steve at Chroma Camera kindly designed and 3D printed a custom lens board for me. It’s a lot lighter than my Aero Ektar lens but gives a very different look. Depth of field is very shallow as you’d expect – most of these were shot around f4.5.

[Tech info:] Speed Graphic 5×4, 165mm f2.7 Tessar lens, Ilford HP5 (expired), developed in Kodak HC110 1+31 for 6mins.

20220811_Speed-Graphic_165mm_HP5_HC110B_01_web

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Tags: 165mm, 5x4, black&white, film, graflex, hc110, HP5, oxford, people, portraits, speed graphic

Endeavour 9: FILM 2 – part 1

Saturday, August 6th, 2022

Endeavour series 9 is still in production so I’m afraid you won’t find any spoiler photos here. Most of the crew on this series are new to Endeavour but there are some familiar faces too. Here are some pictures from the first day of filming in Oxford on FILM 2 of series 9. The last photo is from the following day in Magdalen College.

[Tech info:] Leica M6, 28-50mm Tri-Elmar lens, Ilford DELTA 400 developed in Ilfosol 3. Pakon scans. Last photo is on HP5 film, 50mm Summicron lens.

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Tags: 35mm, black&white, delta 400, endeavour, filming, HP5, ilfosol 3, leica, oxford, pakon, people, s9e2

Endeavour 8: FILM 2 – part 4

Tuesday, April 12th, 2022

Behind the scenes photography during filming of Endeavour 8 | FILM 2 in Oxford, April 2021. This was a night shoot in Wellington Square, the location for Joan Thursday’s flat. In reality it’s a couple of doors down from the exterior of Endeavour’s basement flat in series 3. I used Kodak TMAX P3200 film on this occasion because I like how it handles high contrast during night photography but to get the best out of this film I’ve found you need to use Kodak TMAX film developer and agitate every 30 secs as described in the Kodak film data sheet.

[Tech info:] Leica M6, 50/1.5 Voigtlander Nokton, Kodak TMAX P3200, developed in TMAX developer. Pakon scans.

20210419_Endeavour_S8E2_Wellington_Square_M6_TMZ_1600_01_web

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Tags: 2021, 35mm, black&white, endeavour, film, filming, iso1600, leica, m6, night, oxford, pakon, s8e2, voigtlander

Endeavour 8: FILM 2 – part 3

Sunday, April 10th, 2022

Behind the scenes during filming of Endeavour 8 episode 2 in Oxford, April 2021. It was all about the taxi’s for this session. I quite like this dead end road the crew were filming on because the buildings funnel the light in while allowing it to bounce around at the same time which works well for contrasty sunny conditions.

[Tech info:] Leica M6, (can’t remember which lens), Eastman Double X film, developed in D96 for 7.30. Pakon scans.

20210418_Endeavour_S8E2_Magpie_Lane_M6_XX_r2_30_web

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Tags: 2021, 35mm, black&white, d76, double x, endeavour, film, filming, leica, m6, oxford, pakon, people, s8e2, taxi

Oxford: Happy Valley

Thursday, April 7th, 2022

Some pictures from an evening walk around Happy Valley in March 2021. I was experimenting with depth of field as the sun was dropping. I keep meaning to go back here with a larger format camera and feel the pond there has potential in different seasons.

[Tech info:] Nikon FA, 50/1.4D, Ilford FP4, developed in Kodak HC110 1+31, Pakon scans.

20210327_Happy-Valley_FA_FP4_HC110B_02A_web

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Tags: 35mm, black&white, film, fp4, happy valley, hc110, nikon, oxford

Endeavour 8: FILM 2 – part 2

Monday, April 4th, 2022

Behind the scenes during filming of Endeavour 8 episode 2 in Oxford, April 2021. The first two images show a character who sadly didn’t make it into the final edit which is a shame because it was an intriguing scene.

[Tech info:] Leica M6, (can’t remember which lens), Eastman Double X film, developed in D96 for 7.30. Pakon scans.

20210418_Endeavour_S8E2_Magpie_Lane_M6_XX_05_web

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Posted in Behind the scenes, Endeavour, film, Oxford, People | 1 Response »
Tags: 35mm, black&white, d96, double x, endeavour, film, filming, leica, m6, oxford, pakon, people, s8e2, taxi

Endeavour 8: FILM 2 – part 1

Friday, April 1st, 2022

Behind the scenes photography during filming of Endeavour series 8 episode 2 in Wellington Square, Oxford. April 2021, lockdown restrictions had eased enough to allow filming to commence. I limited my photography to the exterior scenes. A nice little detail to look out for is the box of matches inside the taxi with the C. Dexter Matches brand.

[Tech info:] Leica M6, Eastman Double X motion picture film, developed in D96 stock for 7.30, Pakon scans.

20210419_Endeavour_S8E2_Wellington_Square_M6_XX_07_web

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Tags: 35mm, black&white, d96, double x, endeavour, film, filming, leica, m6, oxford, pakon, people, s8e2

Oxford: Foggy Boxing Day

Tuesday, January 4th, 2022

Here are some shots made during a foggy night in Oxford on Boxing Day last year, between 10pm and 12am. I chose to develop the film in 510 Pyro to see how well it held the highlights and I’m pleased to say it did exceptionally well as you can see from the pictures. The dynamic range between the street lights and the dark shadows in these night shots is huge but it didn’t seem to give 510 Pyro any problems. One of the last shots I calculated to be a 4 minute exposure with reciprocity but in hindsight I feel I miscalculated and overexposed the shot by at least 1.5 stops but the shot it still totally usable.

[Tech info:] Pentax 645N, 55/2.8, Ilford FP4, developed in 510 Pyro 1+100 for 11mins.

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