Oxford: Endeavour 5, FILM 6 – part 6

Written by Nasir Hamid on May 15th, 2018

Behind the scenes photography from a busy day of filming Endeavour 5 FILM 6 on Turl Street in Oxford. This was a fun day of filming with lots going on. As I look back through these pictures I notice at least one shot that was filmed which didn’t make it to the final edit – where Fred Thursday crosses the street and the Jamaican gangsters drive past in their car. The Art department did an excellent job of transforming the Oxfam Bookshop into a pet shop but you don’t really get to see much of the detail on screen in the final edit.

[Tech info:] Konica Hexar AF, Ilford HP5 film, developed in Kodak HC110 1+31 for 5.30. Pakon scans.

 

Oxford: Endeavour 5, FILM 6 – part 5

Written by Nasir Hamid on May 14th, 2018

This set of pictures is a bit of a mixture and although they are all from the same roll of film, there are shots from two different episodes of  Endeavour. While the cast and crew were in Oxford to film the final episode of series five they also filmed some pick up shots for the first episode. I guess you only really know how well scenes properly fit together when you’re in the editing suite and any gaps need to be filled which is probably where reshoots come in.

[Tech info:] Leica M2, Kodak Portra 800, Pakon scans.

 

Oxford: Around and about, lunch break photo walk

Written by Nasir Hamid on May 12th, 2018

This set of pictures are from a recent lunch break photo walk where I managed to finish a whole roll during the hour. I’ve been using quite a bit of Eastman Double X motion picture film recently because I bought a bottle of D96 developer and I didn’t want it to go off without much use. So far I have been very pleased with the results especially in controlling contrast.

[Tech info:] Yashica Electro 35, Eastman Double X film, developed in D96, Pakon scans.

 

Oxford: Endeavour 5, FILM 4 – part 13

Written by Nasir Hamid on May 9th, 2018

The Endeavour crew came to the Oxford Union to film some scenes from FILM 4 of the fifth series and these behind the scenes pictures are from a scene that involved a flour bomb being thrown. The pictures pick up from after the first take where the flour bomb missed the intended target so quite a bit of clean up was required before the second take – this is where the props guys sprung into action. The last handful of shots are from a different day when I visited the Cowley CID interior set and finished off the same roll of film. I really like the use of daylight balanced HMI lighting because it enabled me to use daylight film without any filters.

[Tech info:] Konica Hexar AF, Kodak Portra 400, Pakon scans.

 

Oxford: Olympus EE-3 half-frame test

Written by Nasir Hamid on May 7th, 2018

For quite a while I’ve been looking for a cheap half-frame camera to test out and I finally managed to get one when I was least expecting it in a mixed lot of camera bits I picked up at auction. It’s an Olympus EE-3 which is fixed focus and true point and shoot because apart from the manual aperture settings when using flash, there are no other controls that you can change. The selenium cell light meter is dead on my camera but the shutter works so I decided to test it during a lunch break photo walk around Oxford. With 72 frames to get through on a roll of 36 exposure film I was able to be very instinctive with my shots – see something, point, click, move on. There’s no need to carefully consider the composition on every frame because this camera lets you use it almost without thinking, just like when you blink without thinking about it first, you just do it.

Here’s a selection of pictures from the first test roll and it looks like the camera is working well despite the dead light meter. I assume it’s working at sunny 16.

[Tech info:] Olympus EE-3, Eastman Double X motion picture film, developing in D96 for 7 mins, Pakon scans.

Olympus EE-3 half-frame test shots

 

Oxford: Endeavour 5, FILM 6 – part 4

Written by Nasir Hamid on May 5th, 2018

Behind the scenes photography during filming of Endeavour 5 | FILM 6 in Oxford, October 2017. The first few shots are from the scene outside the pet shop towards the end of the day when the light level was rapidly dropping. Although there was a stunt team on hand the actors did their own stunts in this scene. The following morning it was a bright and sunny start on Christ Church meadow where the harsh sunlight made it tricky to move around without casting a shadow into shot.

It’s hard to believe this was almost 7 months ago. Lots more pictures still to come from Endeavour 5.

[Tech info:] Konica Hexar AF, Ilford HP5 film developed in Kodak HC110 1+31 for 5.30. Pakon scans.

 

Oxford: Lunch break photo walk

Written by Nasir Hamid on May 2nd, 2018

For a while now I’ve been meaning to use my Bronica SQA but either the weather or other things kept conspiring against me. Last week I finally managed to do it and here’s a set of pictures from the roll I shot during my lunch break photo walk. The shots of the drainpipe and the painted house number sign were made using a +1 close-up filter that I wanted to test and the last three shots were made with a red filter – the Radcliffe Camera shot had a polarising filter as well.

[Tech info:] Bronica SQA, 80/2.8, Ilford Delta 100 developed in Tetenal Ultrafin T-Plus.

 

Oxford: Endeavour 5, FILM 6 – part 3

Written by Nasir Hamid on April 22nd, 2018

Behind the scenes photography during the filming of Endeavour series 5, FILM 6 in Oxford. This was a busy day of filming for the crew with the bulk of the time spent on the drive-by shooting outside the pet shop on Turl Street (the Oxfam bookshop on any other day). The first set up was outside Joan’s flat – you can see leaves on the ground as this was the end of October and Autumn was on the turn. More shots to come from this day of filming.

[Tech info:] Hexar AF, Ilford FP4 film developed in Kodak HC110 1+31. Pakon scans.

 

Oxford Union: Glenn Close Q&A

Written by Nasir Hamid on April 21st, 2018

Glenn Close visited the Oxford Union for a Q&A event and here are some of the pictures I made to document what was a fascinating, funny and quite moving talk. The video from the event isn’t on the Oxford Union YouTube page yet but hopefully soon. I highly recommend it. My go to film for Oxford Union events is usually Ilford HP5 but on this occasion I decided to give Delta 400 a try and I do like the results. It feels like there is slightly less grain and a tad more shadow detail than HP5 but I need to do a more controlled comparison to really tell. In any case I’m very pleased with these results.

[Tech info:] Leica M6, 40/1.4 Voigtlander Nokton, Ilford Delta 400 @ ISO 1600, developed in Ilford DDX 1+4. Pakon scans.

 

Test: Rolleiflex SL66 with Polaroid Land Camera lens

Written by Nasir Hamid on April 20th, 2018

For the past few years I’ve have had a lens sitting around that I wanted to make use of but never quite got around to it, until now. The lens originally came off of the Polaroid 110B Land Camera that I had modified to a 5×4 large format camera and I didn’t see much point in mounting it to a lens board to use on a different 5×4 camera so it’s been sitting around doing nothing. I wanted to adapt it to work on my Rolleiflex SL66 but the only place I knew of that made an adapter was asking around $80 which is more than I wanted to pay but fortunately a friend mentioned RAF Camera where an adapter cost just under half the price.

After modifying the adapter slightly (two small holes need to be drilled so that small screws on the back of the lens can stop it from twisting) it was ready for testing. Below are some test shots from the first roll. A few things to mention are firstly the focal length is a surprise if you’re mostly used to using the 80mm standard lens as I am and I frequently found myself taking a few steps back from where I thought I would need to stand to a given composition. Secondly, the depth of focus is extremely shallow even at f8 and because the image through the viewfinder gets darker as you stop down it’s difficult to get precise focus without a bright focussing screen in your camera – something that affected my hit rate of sharp shots on this roll. I’ll use a tripod for the next roll I use with this setup to see the difference. All shots made during my lunch break.

[Tech info:] Rolleiflex SL66, Enna Werk München 127mm f4.7 lens, Ilford Delta 100 (expired), developed in Tetenal Ultrafin T-Plus.

 

 

Martin Parr Foundation field trip

Written by Nasir Hamid on April 12th, 2018

The Oxford University Photography Society organised a field trip to visit the Martin Parr Foundation in Bristol a couple of months ago and I went along with a group of society members to have a tour of the place and to see the latest exhibition that had just gone up. Martin was a great host and after making us all tea’s and coffee’s he explained a bit of the back story of the foundation and then showed us around the building including a peek at some beautiful vintage prints and book dummy’s from other photographers that he’s collected over the years. Then after being shown a selection of photo books that are part of the ever growing library – some of which are extremely rare and valuable – we had some time to have a Q&A with Martin before having an opportunity to finish off our visit with a viewing of the current exhibition of street portraits by Niall McDiarmid.

We all thoroughly enjoyed our visit and I certainly came away with appreciating the beauty of photography in a printed form, whether that’s as a print or in a book. If you haven’t been to visit I highly recommend it and I’m very much looking forward to my next visit.

[Tech info:] Leica M6, Voigtlander 40/1.4 Nokton, Ilford HP5 @ ISO1600, developed in Kodak HC110 1+31. Pakon scans.

 

Oxford: Endeavour 5, FILM 4 – part 12

Written by Nasir Hamid on April 5th, 2018

Behind the scenes photography during filming of Endeavour series 5 FILM 4 on Holywell Street in Oxford. The scenes filmed here were cut short in the final edit which was a bit of a shame but it’s often the way when you’re working to a set running time. Back when Inspector Morse was being filmed it was here outside the Holywell Music Room that I first encountered the crew, they were setting up a dolly track for an establishing shot as I recall. I’ve got the pictures in my archive somewhere, on slide film as that’s what I was mostly using back then.

[Tech info:] Leica M6, Voigtlander 40/1.4 Nokton, Agfa APX 100 (expired) developed in Tetenal Ultrafin developer. Pakon scans.