Equipment

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Film: Agfa Vista 200

Wednesday, October 23rd, 2013

A bit of a mixed bag of pictures for this post. Firstly there are shots from a family woodland walk a few weeks ago and then there are some shots from my lunch time photowalk. These are all from the same roll of Agfa Vista 200 film which is for sale at Poundland for £1/roll. This post is mainly to show that this film is the real deal and capable of some great results. It’s a myth that shooting with film is expensive.

[Tech info:] Nikon FM2, 50/1.4 lens, Agfa Vista 200 film, dev & scan by ASDA in Swindon.

Oxford: Lunch hour session

Monday, September 30th, 2013

The first roll through my Rolleiflex Automat 3.5 (75mm Tessar) that I shot during my lunch hour. The camera is a joy to use, everything works like a brand new perfectly engineered machine so it’s hard to believe that this camera is from the 1950’s. The minimum focussing distance on Rollei TLR’s isn’t all that good so I also bought a set of close-up lenses which I used on some of these shots. There doesn’t seem to be any reduction in image quality that I can tell. I’m going to enjoy using this camera a lot more.

[Tech info:] Rolleiflex Automat 3.5 loaded with expired (2003) Kodak Tri-X film, processed in Kodak Xtol 1+1 for 8 mins.

Oxford: Thursday market

Tuesday, September 17th, 2013

Some images I made at the Thursday Gloucester Green market to test out my Rolleiflex twin-lens camera. I don’t often go to this market but I think I might change that because there are lots of interesting stalls and people there. My Rolleiflex seemed to attract a lot of attention, I’m not sure if that’s because of the name written on the front in large letters or because it’s a twin-lens but I don’t mind chatting to people about it. The lady in the bottom images was very nice to chat with and I think she has great style, she used to work with photographers as a stylist and it was her stall of vintage goodies that caught my eye because it was so well laid out (the two middle images). Regular visitors to my blog might recognise Martin in the top two images, he features in quite a few of my blog posts when I have a camera, lens or film to test out. He used to play in a local rock band named Targa who were big in the 1980’s and a little known fact is they were the first band to play live on the opening night of Oxford’s ice-rink. The word around the camp fire is there could be a new band forming with a few of the original Targa band members but that’s just a rumour at this stage.

[Technical info:] Rolleiflex 2.8F Planar, 80mm lens, Ilford FP4 (expired) processed in Kodak Xtol.

Oxford: large format film experiments

Sunday, August 4th, 2013

Now that I’ve got a batch of  C41 colour film chemistry mixed up I decided to use some large format colour film this week which I don’t usually get to use. My go to 5×4 camera tends to be a Speed Graphic because of its built in shutter and the choice of old lenses this allows me to use but the film I wanted to use has an ISO rating of 12 which means it needs a ton of light and the Speed Graphic doesn’t have a shutter speed slower than 1/30 so I ended up using my Wista Field camera which is a lot lighter and a joy to use. I bought my Wista brand new in 1990 and it’s still going strong. Back then it was a magnet every time I used it on the streets and it’s still the same now although the questions people ask me now are different, for example a common one is ‘can you still get film for that?’ The answer is yes.

These images were all made on film that isn’t designed to be used outdoors, it’s meant for duplicating existing film with the use of an enlarger and a tungsten light source but I’ve found that it works nicely outdoors. The Top image of the Ashmolean Museum and the left hand shot of the Triumph motorbike were made with Fuji slide duplicating film that expired in 2011 and the other four shots were all made with Kodak internegative film that expired in 1991. I’ve posted the two motorbike shots side by side for a comparison between both film types. The Fuji film is designed to be processed in E6 chemistry to give a positive transparency but here I’ve cross-processed it in C41 chemistry to see what would happen. I’m pleased with the results. Next I want to try using it for a portrait. Any volunteers?

[Tech info:] Wista field 5×4 camera and Schneider 180mm and 90mm lenses. Kodak inernegative and Fuji CDII slide duplicating film, both exposed at ISO12.

 

5x4 large format

Wista Field 5×4 large format

Oxford: Testing expired interneg film with Tamsin

Monday, July 15th, 2013

These images were all made with Kodak inernegative film that expired in May 1991. It was originally designed to make a colour negative from slide film and is tungsten balanced because you are meant to project the slide film through an enlarger onto this film. I bought a batch of this film to experiment with but because it’s effective film speed is very slow it needs a lot of light which limits when I can use it. Fortunately we’re going through a spell of sunny weather here in Oxford at the moment so I decided to give this film a try with Tamsin last week. I only took six sheets of film with me and here are all six frames.

[Tech info:] Speed Graphic 5×4, Aero Ektar lens (apart from middle right which was with a Schneider 180/4.5), Kodak internegative film (expired May 1991).

 

Oxford: Giffords Circus – Kodak 500T (CineStill) film test

Thursday, July 11th, 2013

This set of images are from my first test roll of some very special 35mm film. It’s Kodak 500T motion picture film that’s designed to be used in movie cameras (the kind that Hollywood studios use) and it’s a favourite film of such movie directors as Christopher Nolan, Steven Spielberg and Quentin Tarantino to name just a few that have used it for their recent movies. I was able to use it in my 35mm SLR because the very clever Brothers Wright in Los Angeles have come up with a technique of removing the remjet layer of the film and then spooling it into 35mm film canisters ready for use in a regular stills camera. It’s native ISO is 500 and it’s balanced for tungsten light. Without the remjet layer the film can be developed in regular C41 chemistry just like other colour negative film. For my first test roll I decided to photograph the Giffords Circus performance last weekend and as an additional test I sent the roll off to ASDA with a few other rolls to test out their developing and scanning service. So far I am very pleased with the results.

[Tech info:] Nikon FM2, 50/1.4D lens, Kodak 500T (CineStill) film, developed and scanned by ASDA in Swindon.

Giffords Circus

Oxford: OWP skate park portraits

Monday, April 15th, 2013

Here are some portraits I made at the new OWP (Oxford Wheels Project) skate park on Meadow Lane yesterday. This is a personal project to document some of the users of the park because I think it will be great to look back at these images many years from now. I’ve never owned a BMX and I could never balance on a skateboard to save my life so I never found myself visiting the old ramps which is a real shame. I wish I had thought about starting this project years ago because it would be interesting to see how the bikes and fashions have changed over time as well as the riders and skaters themselves.

[Tech info:] Speed Graphic 5×4 large format camera with a Kodak Aero Ektar lens on Ilford FP4, processed in Kodak HC110 (1+31) for 7mins.

Setup shot - photo by Alex Leech

Experiments with Passport cameras

Sunday, March 10th, 2013

Here are some of my experiments with Polaroid passport cameras. I’ve got two and four lens versions which allow you to either have all of the images on the print be the same or you can make them all different. Something I didn’t realise until peeling these prints was that the lenses are fixed to a focussing distance of 1.2m and even though there is a switch on the four lens version to set it to 1.92m it doesn’t actually move the lenses, you’re meant to attach additional lenses (which I don’t have) to the front if you expect to achieve in focus shots. Now I know! You should be seeing some in focus shots sometime in the future.

Top two shots are with flash, bottom two are without.

The shot on the left was with an additional lens from a 403R but it has no markings. Shot at 1.2m.

 

Experiments: Freelensing

Monday, October 29th, 2012

These shots are my first attempts at experimenting with freelensing which is when you hold a lens in front of a camera without it being physically attached to the camera. The beauty of this is being able to freely move the lens around and create tilt/shift effects that you’d never be able to achieve if the lens was attached to the camera body. The images here were created 100% in camera on film, I haven’t applied any fake filters. Have you ever wondered where ideas for the looks you get in apps such as Instagram come from? These were the last three frames on the roll I happened to have in my camera at the time. Now that I’ve seen how good these shots have turned out I’m keen to try this technique on some portraits. Any volunteers?

[Tech info:] Rolleiflex SL66 with an old Carl Zeiss lens that I transplanted from a 6×9 folding camera, Fuji Pro 400H film home processed by me.

Radcliffle Camera railings

Radcliffe Camera entrance

Side of Bodleian Library

 

Experiments: Semi-stand film developing

Monday, October 22nd, 2012

Recently I’ve been doing a little research into semi-stand film developing and I finally felt ready to give it a try. First I needed a roll of film to process so I shot one during a lunch hour and headed over to the darkroom after work. The film expired in 2003 so I was half expecting a bit of a fail with this experiment but despite quite a heavy base fog on the film it seemed to scan quite nicely considering the age of the film.

[Tech info:] Mamiya M645 1000s, 80mm/f1.9 lens, Kodak Tri-X (expired 2003), processed in Kodak HC110 (dilution 1:119) for 1 hour with a few gentle agitations at the 30min stage. I used 6ml of HC110 syrup to make 720ml of working developer, this is what my research suggested.

X-ray film test #2

Tuesday, July 3rd, 2012

A couple more portrait tests with large format 10×8 inch x-ray film. So far I’m very pleased with the results. I want to do some more portraits with this film so please get in touch if you’d like to be photographed.

[Tech info:] Toyo 810G, Nikon 300mm lens @ f11, green sensitive x-ray film rated at ISO 50, processed in Rodinal 1:50 for 6 mins.

Andy in my studio.

Andy, one light studio test.

 

Darkroom: Silver prints

Friday, May 11th, 2012

This evening I spent a few hours in the darkroom making contact prints from some of my films. I’ve always loved contact sheets, there’s something about the small images that draw you in and I love the sharpness of them. I also like how looking at an entire roll of film on one sheet can help tell a story. It’s been a long time since I made any contact prints but this evening I enjoyed it so much that it’s something I’ll be trying to make time to do more of.  If you’ve never been in a darkroom and seen how prints are made with nothing more than silver, light and some chemicals then you’re missing out. As I watched the images appear on the paper in the developer tray I had to remind myself of how I was making prints without the aid of a computer, scanner or printer. How amazing is that?

Low quality images courtesy of my iPod Touch.

Images from the Lincoln College Ball. I haven't scanned these in yet to post on this blog.

 

10x8 inch contact print. That's right, the negative is 10x8 inches in size.