5×4

...now browsing by tag

 
 

Oxford: Summer Eights, 2014 – large format

Monday, June 16th, 2014

These shots were all made with a Polaroid 110B Land Camera that has been modified to shoot 5×4 large format film, handheld. It can also shoot a whole host of other formats thanks to the Graflok back and I plan to do a separate post on this camera at some point. The conversion has been beautifully done by Randy of Holgamods.com and it was worth every day of the 3 months I had to wait.

[Tech info:] Polaroid 110B, Ilford HP5 film processed in Kodak HC110 1+31 for 6mins.

Eric rowed for Keble College in 1955.

Photo shoot: Lauren (large format film)

Monday, October 14th, 2013

Here are a set of shots made on 5×4 large format film with Lauren. The middle two are from my first shoot with Lauren in some of the dullest and flat overcast light I have ever dared to photograph someone in, the others are from my second shoot (see the Fujiroids I posted a few days ago). I hope there will be more collaborations to come.

The maximum amount of 5×4 sheets I can process at once is six so that’s why I like to shoot them in batches of six. I love how all of these have turned out which is why I can’t choose between them so I decided to post them all. One of my favourite film/developer combo’s for quite a while has been Ilford HP5 developed in Kodak HC110 but recently I’ve been testing out Kodak Xtol and I have to say it’s hard to go wrong with it. I found the secret to mixing Xtol successfully is to use hot water which helps the fine powder dissolve.

[Tech info:] Graflex Speed Graphic, Schneider 180/4.5 (top & bottom), Pentac 8inch/2.9 (middle), Ilford HP5 processed in Kodak Xtol stock for 8.5mins.

Oxford: large format portraits

Thursday, September 19th, 2013

Here are some large format portraits I made recently with one of my favourite camera, lens and film combos. The camera is from the 1940’s or 50’s, not quite sure, but I do know the lens was used for aerial photography during the second world war and judging by the condition of the paintwork it saw some action. The nice thing about this particular lens is the shallow depth of field and the way it renders everything with a beautiful smoothness but you can’t really appreciate the image quality in web resolution images.

[Tech info:] Speed Graphic 5×4, Pentac f2.9 lens @ f3.5, Ilford HP5 film processed in Kodak HC110 1+31.

adam

chris

dave

Oxford: large format film experiments

Sunday, August 4th, 2013

Now that I’ve got a batch of  C41 colour film chemistry mixed up I decided to use some large format colour film this week which I don’t usually get to use. My go to 5×4 camera tends to be a Speed Graphic because of its built in shutter and the choice of old lenses this allows me to use but the film I wanted to use has an ISO rating of 12 which means it needs a ton of light and the Speed Graphic doesn’t have a shutter speed slower than 1/30 so I ended up using my Wista Field camera which is a lot lighter and a joy to use. I bought my Wista brand new in 1990 and it’s still going strong. Back then it was a magnet every time I used it on the streets and it’s still the same now although the questions people ask me now are different, for example a common one is ‘can you still get film for that?’ The answer is yes.

These images were all made on film that isn’t designed to be used outdoors, it’s meant for duplicating existing film with the use of an enlarger and a tungsten light source but I’ve found that it works nicely outdoors. The Top image of the Ashmolean Museum and the left hand shot of the Triumph motorbike were made with Fuji slide duplicating film that expired in 2011 and the other four shots were all made with Kodak internegative film that expired in 1991. I’ve posted the two motorbike shots side by side for a comparison between both film types. The Fuji film is designed to be processed in E6 chemistry to give a positive transparency but here I’ve cross-processed it in C41 chemistry to see what would happen. I’m pleased with the results. Next I want to try using it for a portrait. Any volunteers?

[Tech info:] Wista field 5×4 camera and Schneider 180mm and 90mm lenses. Kodak inernegative and Fuji CDII slide duplicating film, both exposed at ISO12.

 

5x4 large format

Wista Field 5×4 large format

Oxford: two Fujiroids

Saturday, August 3rd, 2013

Today I had a little spare time just before midday so I went over to the Meadow lane skatepark to see if I could make some portraits before it started to rain. There weren’t many people there but I did manage to make these two portraits before heading back home.

[Tech info:] Graflex Speed Graphic 5×4, Kodak Aero Ektar lens, Fuji FP-100C instant pack film.

Nick

Skateboarder

BMX rider

 

Oxford: Testing expired interneg film with Tamsin

Monday, July 15th, 2013

These images were all made with Kodak inernegative film that expired in May 1991. It was originally designed to make a colour negative from slide film and is tungsten balanced because you are meant to project the slide film through an enlarger onto this film. I bought a batch of this film to experiment with but because it’s effective film speed is very slow it needs a lot of light which limits when I can use it. Fortunately we’re going through a spell of sunny weather here in Oxford at the moment so I decided to give this film a try with Tamsin last week. I only took six sheets of film with me and here are all six frames.

[Tech info:] Speed Graphic 5×4, Aero Ektar lens (apart from middle right which was with a Schneider 180/4.5), Kodak internegative film (expired May 1991).

 

Oxford: Giffords Circus – Fujiroids

Wednesday, July 10th, 2013

These are Fujiroid portraits (similar to Polaroid) that I made of some of the performers at Giffords Circus when they came to University Parks here in Oxford. The diptych ones were made on the last day during the last performance backstage as the circus was getting packed up and moved out. I really wished I had had more time to make some more. Hopefully next time. Some of these scans are from the prints, others from the bleached negatives. There is a lot more shadow detail in the negatives and they have a completely different look and feel to the prints.

[Tech info]: Graflex Super D 5×4, 190mm lens, Fuji FP-100C instant pack film. The diptych’s were made with a Mamiya RB67 and 90mm lens.

Giffords Circus performerGiffords Circus performer

Giffords Circus performer

Giffords Circus performersGiffords Circus performer

Giffords Circus jugglers

Giffords Circus musicianGiffords Circus performer

Photo shoot: Tamsin – Fujiroids

Tuesday, July 9th, 2013

A few Fujiroids (just like Polaroids) from a photo shoot I had with Tamsin. I also shot some 5×4 large format colour film that expired in 1991 so I’m looking forward to processing those. The bottom two shots are a little under-exposed because I metered for the highlights instead of splitting the difference between highlights and shadows. That’s something that can happen when you’re rushing. The sun was moving quite fast and between the time of composing the shot, focussing, cranking the shutter and putting the film into the back of the camera the light had changed and Tamsin was in complete shadow so I had to work fast.

[Tech info:] Graflex Speed Graphic 5×4, Kodak Aero Ektar lens (top & bottom left) Schneider 180/4.5 (bottom right) on Fuji FP-100C instant pack film.

Oxford: Giffords Circus part 1

Monday, July 8th, 2013

Giffords Circus left Oxford earlier this evening after being here for almost a week in University Parks and I can’t say enough great things about the amazing people that work there. The weather was non-stop sunshine for the whole time they were here and although the temperature was pretty hot I think it was perfect summer weather to see the Circus. I made a few trips over there to see if I could make some nice portraits on film, each time I took a different camera with me for variety. The performers were all incredibly nice and friendly which made for a great experience. I went to the Sunday afternoon performance which was a full house and I enjoyed every second of it. I can’t recommend it highly enough if you get a chance to see it, these people are the real deal. Everything in this Circus is hand made with care and attention to detail from the sets to the costumes and I couldn’t help thinking that on some level it made perfect sense that I was photographing them because I hand process, scan and print my film with just as much attention to detail for the best possible end result. I’m keeping my finger’s crossed that Giffords Circus will come back to Oxford next year.

Lots more photography from Giffords Circus to come. If you’re one of the Circus performers and you see these pictures, please tell the others in the group and if you wish to, please leave a comment to let me know what you think.

[Tech info:] Graflex Super D 5×4, 190mm lens @ f8, Ilford HP5 film processed in Kodak HC110 1+31.

Giffords Circus store

Giffords Circus performers

Giffords Circus performer

Giffords Circus performer

Giffords Circus performer

Giffords Circus Jugglers

 

 

Oxford: Skatepark portraits (5×4 film)

Monday, June 24th, 2013

These two portraits were made yesterday at the same skatepark session as the two in the previous post except these were made on 5×4 black & film. The maximum amount of 5×4 sheet film I can develop at the same time is 6 sheets so that’s usually how many I load into film holders at the same time. I had already used 4 sheets from this batch at a shoot I had with Imogen so I only had 2 sheets with me when I decided to go to the skatepark. It’s a shame because the light was nice (when the sun wasn’t behind a cloud) and there was a good crowd there.

[Tech info:] Graflex Super D 5×4, Pentac f2.9 @ f4, Ilford Delta 100 processed in Ilford DDX 1+4.

Oxford: Skatepark portraits

Sunday, June 23rd, 2013

These two portraits were made at my local skatepark today. It was a really fun session and my portrait volunteers did really well to stay still whilst being heckled from their friends. I wanted to test out my Super D camera after I had some focus issues the last time I used it and the good news is I’ve managed to achieve critical focus again with my workaround but the bad news is that I need to use the camera on a tripod to do it. When you’re working with really shallow depth of field it’s always a good idea to mount your camera on a tripod so it’s not the end of the world. I only had two sheets of film with me and these last two shots of Fuji instant pack film. The film shots will follow (I left them drying in the darkroom overnight).

[Tech info:] Graflex Super D with Pentac f2.9 lens @ f4. Fuji FP-100C instant pack film.

Photo shoot: Imogen

Monday, June 17th, 2013

Here are some images from a photo shoot I had with Imogen recently. I took along two cameras that were completely opposite in size, a 5×4 large format SLR (Super D) and a 35mm rangefinder (Yashica Electro). I’m not a fan of rangefinder cameras (despite owning a few) and whenever I use them it’s not a very enjoyable experience mainly because I much prefer to see the viewfinder image go in and out of focus but I do like the results I got from my Yashica in this session.

I was keen to try out my Super D with an old lens I had adapted to fit but after the first test Fujiroid I noticed the focus was a little bit off – when the image in the viewfinder was in focus the image in the final print was focused slightly in front of the point that I had focused on. As a result of this I had to do a bit of guess work with the rest of the shots so they’re not as sharply focussed as I wanted. Later when I got home I figured out the problem is that the mirror doesn’t rest as low as it should so now I have to manually twist and hold a lever to push the mirror down while I am focussing. It’s a bit of a faff so I need to find an alternate method.

[Tech info:] Graflex Super D 5×4, Pentac f2.9 lens @ f4, Ilford FP4 film processed in Kodak HC110 1+31. Yashica Electro 35 loaded with Kodak TMAX 400, processed in Kodak HC110 1+31.