film

...now browsing by category

 

Endeavour 7: FILM 3 – part 3

Saturday, December 7th, 2019

The last day of filming on Endeavour 7 was mostly interiors but I can’t show any of the action without spoilers so those will have to wait until after UK broadcast. In the meantime here are some non-spoiler shots from the day, mainly the hardworking crew. I had taken along with me some rolls of Kodak TMZ P3200 b&w film because I was expecting low light levels inside and so far I’ve been very impressed with the results since using Kodak TMAX film developer (1+4 dilution, one shot). More to come.

[Tech info:] Leica M6, 35/1.2 Voigtlander Nokton, Kodak TMZ P3200 @ ISO 1600, developed in TMAX developer 1+4, Pakon scans.

20191120_Endeavour_S7E3_Langleybury_M6_TMZ_P3200-1600_TMX-Dev_04A_web 20191120_Endeavour_S7E3_Langleybury_M6_TMZ_P3200-1600_TMX-Dev_05A_web 20191120_Endeavour_S7E3_Langleybury_M6_TMZ_P3200-1600_TMX-Dev_06A_web 20191120_Endeavour_S7E3_Langleybury_M6_TMZ_P3200-1600_TMX-Dev_07A_web 20191120_Endeavour_S7E3_Langleybury_M6_TMZ_P3200-1600_TMX-Dev_09A_web 20191120_Endeavour_S7E3_Langleybury_M6_TMZ_P3200-1600_TMX-Dev_18A_web 20191120_Endeavour_S7E3_Langleybury_M6_TMZ_P3200-1600_TMX-Dev_22A_web 20191120_Endeavour_S7E3_Langleybury_M6_TMZ_P3200-1600_TMX-Dev_23A_web 20191120_Endeavour_S7E3_Langleybury_M6_TMZ_P3200-1600_TMX-Dev_24A_web

Oxford: lunch break photo walk

Thursday, December 5th, 2019

Some shots here from a lunch break photo walk where I was testing a lens and a film + filter combination. The lens is a Nikon 28mm f2.0 AIS that is very beaten up. There’s a slight rattle inside if I shake it so I’d say all is not well with it but I’m beginning to like the strange almost lens-baby-style blur it gives when used at wide apertures. The film and filter combination I was testing was Eastman Double X motion picture film combined with an orange filter. The D96 developer I’m using is a 1 litre stock solution that I’ve developed 7 rolls through and these negs look fairly thin so I think I should be increasing the development time although there is no mention of doing that from Nik & Trick (the supplier I purchased it from). The 1 litre solution is said to be good for 18 rolls but I’m not so optimistic.

[Tech info]: Nikon FA (aperture priority), Nikon 28mm f2.0 AIS lens, orange filter, Eastman Double X (expired) developed in D96 for 7 mins.

20191129_LunchBreak_FA_28-f2.0_Orange-filter_DoubleX_D96_02_web 20191129_LunchBreak_FA_28-f2.0_Orange-filter_DoubleX_D96_03_web 20191129_LunchBreak_FA_28-f2.0_Orange-filter_DoubleX_D96_04_web 20191129_LunchBreak_FA_28-f2.0_Orange-filter_DoubleX_D96_05_web 20191129_LunchBreak_FA_28-f2.0_Orange-filter_DoubleX_D96_06_web 20191129_LunchBreak_FA_28-f2.0_Orange-filter_DoubleX_D96_08_web 20191129_LunchBreak_FA_28-f2.0_Orange-filter_DoubleX_D96_09_web 20191129_LunchBreak_FA_28-f2.0_Orange-filter_DoubleX_D96_11_web 20191129_LunchBreak_FA_28-f2.0_Orange-filter_DoubleX_D96_13_web 20191129_LunchBreak_FA_28-f2.0_Orange-filter_DoubleX_D96_14_web 20191129_LunchBreak_FA_28-f2.0_Orange-filter_DoubleX_D96_15_web 20191129_LunchBreak_FA_28-f2.0_Orange-filter_DoubleX_D96_26_web 20191129_LunchBreak_FA_28-f2.0_Orange-filter_DoubleX_D96_28_web 20191129_LunchBreak_FA_28-f2.0_Orange-filter_DoubleX_D96_33_web

Endeavour: wrap day on series 7

Monday, November 25th, 2019

It’s always a privilege spending a day with the Endeavour crew and even more so when it’s at the studio where the interior sets are built. The day I picked on series 7 to visit the studio coincidently happened to be the wrap day for the series and I was asked to make a group shot of the crew before their lunch break. I did the same on series 5 but this time the group was larger and even the caterers managed to squeeze in. A nice record of a fun day. More pictures to follow.

[Tech info:] Fuji GW690, Delta 400 @ ISO 800, developed in DDX 1+4.

20191120_NDVRS7E3_Langleybury_Fuji-6x9_Delta_400-1600_DDX_001_web

Oxford: instant film promo shoot

Monday, November 18th, 2019

I was recently asked to make a promo shot for a new band called Transmission From Nowhere to coincide with the release of their new CD. One of the band members is a fellow film photographer and suggested doing the shoot on the now illusive Fuji FP-3000B instant b&w film which I was more than happy to do. I’ve got a range of cameras that can use this film but I decided on my Mamiya RB67 because I have a sliding back for it that allows two different exposures next to each other on the same print which results in a diptych.

We used the whole pack of film for the shoot – a whopping 10 shots – and I can’t begin to tell you how much fun it was. All double exposures were done in camera. No batteries and no squinting at LED screens required.

[Tech info:] Mamiya RB67, 127mm lens, Fuji FP-3000B instant b&w film (expired).

IMG_1277_900px tfn-in-studio-900px

Oxford: Endeavour 7, FILM 3 – part 3

Sunday, November 10th, 2019

Behind the scenes during filming of Endeavour 7 | FILM 3 in Merton College, Oxford. More pictures to follow after UK broadcast – no spoilers here.

[Tech info:] Rolleiflex 2.8F, Zeiss Planar, Fuji 400H (expired), Noritsu scans.

20191027_Endeavour_S7E3_Merton_2.8F_400H_02_web 20191028_Endeavour_S7E3_Merton_2.8F_400H_02_web 20191028_Endeavour_S7E3_Merton_2.8F_400H_07_web 20191028_Endeavour_S7E3_Merton_2.8F_400H_10_web 20191028_Endeavour_S7E3_Merton-roll2_2.8F_400H_01_web 20191028_Endeavour_S7E3_Merton-roll2_2.8F_400H_02_web 20191028_Endeavour_S7E3_Merton-roll2_2.8F_400H_03_web 20191028_Endeavour_S7E3_Merton-roll2_2.8F_400H_04_web

Oxford: Endeavour 7, FILM 3 – part 1

Saturday, November 2nd, 2019

Behind the scenes during filming of Endeavour 7 | FILM 3 in Merton College, Oxford. A cold day for the cast and crew but at least it wasn’t raining! As usual, no spoilers. More pictures to follow after UK broadcast.

[Tech info:] Leica M6, 50/1.5 Voigtlander Nokton, Eastman Double X film, developed in D96. Pakon scans.

20191029_Endeavour_S7E3_Merton_M6_XX_D96_03_web 20191029_Endeavour_S7E3_Merton_M6_XX_D96_04_web 20191029_Endeavour_S7E3_Merton_M6_XX_D96_06_web 20191029_Endeavour_S7E3_Merton_M6_XX_D96_12_web 20191029_Endeavour_S7E3_Merton_M6_XX_D96_18_web 20191029_Endeavour_S7E3_Merton_M6_XX_D96_23_web 20191029_Endeavour_S7E3_Merton_M6_XX_D96_29_web 20191029_Endeavour_S7E3_Merton_M6_XX_D96_30_web 20191029_Endeavour_S7E3_Merton_M6_XX_D96_33_web 20191029_Endeavour_S7E3_Merton_M6_XX_D96_34_web 20191029_Endeavour_S7E3_Merton_M6_XX_D96_35_web 20191029_Endeavour_S7E3_Merton_M6_XX_D96_37_web

Oxford: Lunch break photo walk

Monday, September 16th, 2019

Some shots from a test roll I put through a Nikon FA which I recently bought. The first roll had some light leaks so I added light seals for the edges of the back of the camera using strips from a foam sheet I bought at Hobbycraft. Looks like it’s fixed the problem. These were all shot in aperture priority mode using matrix metering. The matrix metering mode only works in aperture priority on the FA, something I didn’t realise. I much prefer to use full manual mode.

[Tech info:] Nikon FA, 35/2.0D Nikon lens, orange filter, TMAX 100 (expired), developed in Tetanol Ultrafin developer. Pakon scans.

20190815_Lunch-Hour_FA_35-f2_TMX100_Ultrafin_01A_web 20190815_Lunch-Hour_FA_35-f2_TMX100_Ultrafin_03A_web 20190815_Lunch-Hour_FA_35-f2_TMX100_Ultrafin_05A_web 20190815_Lunch-Hour_FA_35-f2_TMX100_Ultrafin_06A_web 20190815_Lunch-Hour_FA_35-f2_TMX100_Ultrafin_07A_web 20190815_Lunch-Hour_FA_35-f2_TMX100_Ultrafin_08A_web 20190815_Lunch-Hour_FA_35-f2_TMX100_Ultrafin_12A_web 20190815_Lunch-Hour_FA_35-f2_TMX100_Ultrafin_14A_web 20190815_Lunch-Hour_FA_35-f2_TMX100_Ultrafin_15A_web 20190815_Lunch-Hour_FA_35-f2_TMX100_Ultrafin_20A_web 20190815_Lunch-Hour_FA_35-f2_TMX100_Ultrafin_24A_web 20190815_Lunch-Hour_FA_35-f2_TMX100_Ultrafin_36A_web

Oxford: 10×8 photography

Saturday, September 14th, 2019

For the longest time I have wanted to take my 10×8 camera into town to do some large format photography and recently I finally managed to do it on a Saturday morning. Even though I only took one lens – the smallest and lightest I have that is suitable for 10×8 photography – the combined weight of the camera, tripod and film holders is more than my back can comfortably handle so I have to drag the camera around with a foldable hand cart which works really well. I took with me both Ilford Delta 100 b&w film and Fuji Velvia 100F transparency film. Below are a couple of shots made with the Delta 100, I’ve processed the Velvia and the shots turned out very nicely but I haven’t scanned them yet. The group shot of the Zappi’s Cycling Club was very impromptu – I was photographing the Sheldonian Theatre on Broad Street when I was approached by one of the cyclists about photographing them with my big camera.

[Tech info:] 10×8 field camera, Nikon 210mm f5.6 lens, Delta 100 film (expired), developed in Ilford DD-X with a Jobo processor.

20190914_Taylorian_10x8_Delta100_DDX_web 20190914_Zappis_10x8_210mm_Delta100_DDX_web

 

10x8-camera_web

Day for night: Endeavour 7, FILM 1 – part 3

Tuesday, September 3rd, 2019

On the August Bank Holiday this year, hottest day of the year so far, the Endeavour crew were hard at work at an undisclosed location and I was fortunate enough to spend the day with them – needless to say it was a scorcher on set. I can only share a few images to avoid spoilers but plenty of others will follow after this episode is broadcast. This was the first time I’d used Lomography 800 film in 120 format and because the sun was setting the light level in the shade was low so I rated the film at ISO 1280 and had it pushed one stop by the lab.

[Tech info:] Rolleiflex 2.8F Zeiss Planar, Lomography 800 film, ISO 1280, pushed 1 stop in development, Noritsu scans.

20190826_Endeavour_S7E1_House_2.8F_Lomo-800_01_web 20190826_Endeavour_S7E1_House_2.8F_Lomo-800_02_web 20190826_Endeavour_S7E1_House_2.8F_Lomo-800_03_web 20190826_Endeavour_S7E1_House_2.8F_Lomo-800_06_web

Oxford: Endeavour 7, FILM 1 – part 2

Tuesday, August 27th, 2019

Behind the scenes photography during filming of Endeavour 7 | FILM 1 in Oxford, August, 2019. On this day the morning was spent filming inside the Oxford Union and I had used b&w film pushed to ISO 1600 due to the low light levels. After lunch I decided to load a roll of colour film because the colours inside were so rich (those shots will follow after this episode has been broadcast) and I knew the next location would be outdoors and the sun was too bright for ISO 1600.

[Tech info:] Leica M6, 40/1.4 Voigtlander Nokton, Fuji Superia 200 film, Noritsu scans.

20190819_Endeavour_S7E1_Oxford-Union_M6_Portra400_01_web 20190819_Endeavour_S7E1_Oxford-Union_M6_Portra400_02_web 20190819_Endeavour_S7E1_Oxford-Union_M6_Portra400_12_web 20190819_Endeavour_S7E1_Oxford-Union_M6_Portra400_14_web 20190819_Endeavour_S7E1_Oxford-Union_M6_Portra400_23_web 20190819_Endeavour_S7E1_Oxford-Union_M6_Portra400_32_web 20190819_Endeavour_S7E1_Oxford-Union_M6_Portra400_33_web 20190819_Endeavour_S7E1_Oxford-Union_M6_Portra400_34_web 20190819_Endeavour_S7E1_Oxford-Union_M6_Portra400_37_web 20190819_Endeavour_S7E1_Oxford-Union_M6_Portra400_38_web

Oxford: Endeavour 7, FILM 1 – part 1

Tuesday, August 20th, 2019

Filming has begun on Endeavour series 7 and I was fortunate enough to document the cast and crew at work in Oxford recently. Lots of familiar faces and some new ones too.
For this roll I rated it at ISO1600 because of the low light level indoors but when I went outdoors I knew the highlights were going to blow out so I reduced development time by 10% to reduce the contrast a little. This is something I have started to do more recently and so far I like the results.

As usual on this blog, all images will be spoiler-free until after each FILM has been broadcast.

[Tech info:] Leica M6, 40/1.4 Voigtlander Nokton, Ilford HP5 pushed to ISO1600, developed in XTOL stock. Pakon scans.

20190819_Endeavour_S7E1_Oxford-Union_M6_HP5_1600_XTOL_stock_19A_web

20190819_Endeavour_S7E1_Oxford-Union_M6_HP5_1600_XTOL_stock_18A_web

20190819_Endeavour_S7E1_Oxford-Union_M6_HP5_1600_XTOL_stock_15A_web 20190819_Endeavour_S7E1_Oxford-Union_M6_HP5_1600_XTOL_stock_14A_web 20190819_Endeavour_S7E1_Oxford-Union_M6_HP5_1600_XTOL_stock_12A_web 20190819_Endeavour_S7E1_Oxford-Union_M6_HP5_1600_XTOL_stock_05A_web 20190819_Endeavour_S7E1_Oxford-Union_M6_HP5_1600_XTOL_stock_16A_web 20190819_Endeavour_S7E1_Oxford-Union_M6_HP5_1600_XTOL_stock_20A_web

Oxford: Endeavour 6, FILM 4 – part 8

Thursday, August 1st, 2019

Behind the scenes during filming of Endeavour 6 | FILM 4 in Oxford, October 2018. This is the ‘pelican man’ scene that was filmed on New College Lane on a very overcast day with a rapidly dropping light level. As usual the crew pulled it off just as the street lights started coming on.

[Tech info:] Leica M6, 40/1.4 Voigtlander Nokton, Ilford Delta 400 developed in DDX 1+4. Pakon scans.

20181029_Endeavour_S6E4_NewCollLane_M6_Delta400_DDX_02_web 20181029_Endeavour_S6E4_NewCollLane_M6_Delta400_DDX_03_web 20181029_Endeavour_S6E4_NewCollLane_M6_Delta400_DDX_05_web 20181029_Endeavour_S6E4_NewCollLane_M6_Delta400_DDX_10_web 20181029_Endeavour_S6E4_NewCollLane_M6_Delta400_DDX_12_web 20181029_Endeavour_S6E4_NewCollLane_M6_Delta400_DDX_17_web 20181029_Endeavour_S6E4_NewCollLane_M6_Delta400_DDX_18_web 20181029_Endeavour_S6E4_NewCollLane_M6_Delta400_DDX_21_web 20181029_Endeavour_S6E4_NewCollLane_M6_Delta400_DDX_24_web 20181029_Endeavour_S6E4_NewCollLane_M6_Delta400_DDX_26_web 20181029_Endeavour_S6E4_NewCollLane_M6_Delta400_DDX_27_web 20181029_Endeavour_S6E4_NewCollLane_M6_Delta400_DDX_28_web