People

...now browsing by category

 

Oxford: Endeavour 7, FILM 1 – part 5

Tuesday, February 4th, 2020

Here are some behind the scenes pictures from the first day of filming in Oxford on Endeavour 7 | FILM 1, August 2019. It was great to see the crew again after nine months. We had a very busy morning on New College Lane but a slightly more relaxed afternoon inside one of the college gardens. Shaun Evans was directing this FILM and his stand-in, Anthony, can be seen in the first shot below. For a change I used my 35mm Zeiss Biogon lens and I really like the colour rendering in these shots especially the ones in the shade on New College Lane. Perhaps I should use it more with colour film.

[Tech info:] Leica M6, 35/2.8 Zeiss Biogon, Fuji Superia 200 film, Noritsu scans.

20190819_Endeavour_S7E1_Garden-Party_M6_Superia200_01_web 20190819_Endeavour_S7E1_Garden-Party_M6_Superia200_02_web 20190819_Endeavour_S7E1_Garden-Party_M6_Superia200_04_web 20190819_Endeavour_S7E1_Garden-Party_M6_Superia200_05_web 20190819_Endeavour_S7E1_Garden-Party_M6_Superia200_07_web 20190819_Endeavour_S7E1_Garden-Party_M6_Superia200_11_web 20190819_Endeavour_S7E1_Garden-Party_M6_Superia200_13_web 20190819_Endeavour_S7E1_Garden-Party_M6_Superia200_16_web 20190819_Endeavour_S7E1_Garden-Party_M6_Superia200_17_web 20190819_Endeavour_S7E1_Garden-Party_M6_Superia200_18_web 20190819_Endeavour_S7E1_Garden-Party_M6_Superia200_19_web 20190819_Endeavour_S7E1_Garden-Party_M6_Superia200_21_web 20190819_Endeavour_S7E1_Garden-Party_M6_Superia200_28_web 20190819_Endeavour_S7E1_Garden-Party_M6_Superia200_29_web 20190819_Endeavour_S7E1_Garden-Party_M6_Superia200_30_web

Oxford: lunch break photo walk around Worcester College

Saturday, December 21st, 2019

First test roll with a 40mm wide-angle lens I recently picked up for my Bronica SQ-A. I’ve had the lens for a while but I needed some dry weather during my lunch break to test it out. The lens is very wide and allows close focusing which I like. The interior shot of Worcester College chapel was an 8 second exposure which is the slowest shutter speed on the camera. I can see that being very useful in some situations. The roll of Ilford Pan F I used expired in 2007 so I rated it at ISO 25. Even though slow films are meant to lose sensitivity over time slower than faster emulsions Pan F tends to suffer quite badly for a film with a box speed of ISO 50. Not a problem on this occasion because I wanted to use the 40mm lens fairly wide open. I’m pleased with the results from this lens and it’s a keeper.

[Tech info:] Bronica SQ-A, 40mm Zenzanon lens, Ilford Pan F (expired), developed in XTOL 1+1.

20191209_Worcester-College_SQA_40mm_PANF_Xtol_001_web 20191209_Worcester-College_SQA_40mm_PANF_Xtol_002_web 20191209_Worcester-College_SQA_40mm_PANF_Xtol_003_web 20191209_Worcester-College_SQA_40mm_PANF_Xtol_004_web 20191209_Worcester-College_SQA_40mm_PANF_Xtol_005_web 20191209_Worcester-College_SQA_40mm_PANF_Xtol_006_web 20191209_Worcester-College_SQA_40mm_PANF_Xtol_007_web 20191209_Worcester-College_SQA_40mm_PANF_Xtol_008_web

Endeavour 7: FILM 3 – part 4

Tuesday, December 17th, 2019

These shots were from the final day of filming on Endeavour 7 | FILM 3 at the studio that has some of the interior sets. Along with Anton Lesser we have Steve (standby carpenter) and Grant (third assistant director). For some unknown reason there is a mottling on the film which I haven’t experienced before. I developed this roll exactly the same as hundreds of others previously so I can’t work out how this was caused during development. More shots to come after UK broadcast.

[Tech info:] Rolleiflex 2.8F, Zeiss Planar, Ilford Delta 400 developed in Ilford DD-X 1+4.

bright_web

20191120_NDVRS7E3_Brights-office_2.8F_Delta400_DDX_001_web 20191120_NDVRS7E3_Brights-office_2.8F_Delta400_DDX_002_web

Endeavour 7: FILM 3 – part 3

Saturday, December 7th, 2019

The last day of filming on Endeavour 7 was mostly interiors but I can’t show any of the action without spoilers so those will have to wait until after UK broadcast. In the meantime here are some non-spoiler shots from the day, mainly the hardworking crew. I had taken along with me some rolls of Kodak TMZ P3200 b&w film because I was expecting low light levels inside and so far I’ve been very impressed with the results since using Kodak TMAX film developer (1+4 dilution, one shot). More to come.

[Tech info:] Leica M6, 35/1.2 Voigtlander Nokton, Kodak TMZ P3200 @ ISO 1600, developed in TMAX developer 1+4, Pakon scans.

20191120_Endeavour_S7E3_Langleybury_M6_TMZ_P3200-1600_TMX-Dev_04A_web 20191120_Endeavour_S7E3_Langleybury_M6_TMZ_P3200-1600_TMX-Dev_05A_web 20191120_Endeavour_S7E3_Langleybury_M6_TMZ_P3200-1600_TMX-Dev_06A_web 20191120_Endeavour_S7E3_Langleybury_M6_TMZ_P3200-1600_TMX-Dev_07A_web 20191120_Endeavour_S7E3_Langleybury_M6_TMZ_P3200-1600_TMX-Dev_09A_web 20191120_Endeavour_S7E3_Langleybury_M6_TMZ_P3200-1600_TMX-Dev_18A_web 20191120_Endeavour_S7E3_Langleybury_M6_TMZ_P3200-1600_TMX-Dev_22A_web 20191120_Endeavour_S7E3_Langleybury_M6_TMZ_P3200-1600_TMX-Dev_23A_web 20191120_Endeavour_S7E3_Langleybury_M6_TMZ_P3200-1600_TMX-Dev_24A_web

Endeavour: wrap day on series 7

Monday, November 25th, 2019

It’s always a privilege spending a day with the Endeavour crew and even more so when it’s at the studio where the interior sets are built. The day I picked on series 7 to visit the studio coincidently happened to be the wrap day for the series and I was asked to make a group shot of the crew before their lunch break. I did the same on series 5 but this time the group was larger and even the caterers managed to squeeze in. A nice record of a fun day. More pictures to follow.

[Tech info:] Fuji GW690, Delta 400 @ ISO 800, developed in DDX 1+4.

20191120_NDVRS7E3_Langleybury_Fuji-6x9_Delta_400-1600_DDX_001_web

Oxford: instant film promo shoot

Monday, November 18th, 2019

I was recently asked to make a promo shot for a new band called Transmission From Nowhere to coincide with the release of their new CD. One of the band members is a fellow film photographer and suggested doing the shoot on the now illusive Fuji FP-3000B instant b&w film which I was more than happy to do. I’ve got a range of cameras that can use this film but I decided on my Mamiya RB67 because I have a sliding back for it that allows two different exposures next to each other on the same print which results in a diptych.

We used the whole pack of film for the shoot – a whopping 10 shots – and I can’t begin to tell you how much fun it was. All double exposures were done in camera. No batteries and no squinting at LED screens required.

[Tech info:] Mamiya RB67, 127mm lens, Fuji FP-3000B instant b&w film (expired).

IMG_1277_900px tfn-in-studio-900px

Oxford: Endeavour 7, FILM 3 – part 3

Sunday, November 10th, 2019

Behind the scenes during filming of Endeavour 7 | FILM 3 in Merton College, Oxford. More pictures to follow after UK broadcast – no spoilers here.

[Tech info:] Rolleiflex 2.8F, Zeiss Planar, Fuji 400H (expired), Noritsu scans.

20191027_Endeavour_S7E3_Merton_2.8F_400H_02_web 20191028_Endeavour_S7E3_Merton_2.8F_400H_02_web 20191028_Endeavour_S7E3_Merton_2.8F_400H_07_web 20191028_Endeavour_S7E3_Merton_2.8F_400H_10_web 20191028_Endeavour_S7E3_Merton-roll2_2.8F_400H_01_web 20191028_Endeavour_S7E3_Merton-roll2_2.8F_400H_02_web 20191028_Endeavour_S7E3_Merton-roll2_2.8F_400H_03_web 20191028_Endeavour_S7E3_Merton-roll2_2.8F_400H_04_web

Oxford: Endeavour 7, FILM 3 – part 2

Tuesday, November 5th, 2019

These shots were made in the Merton College gardens while the Endeavour crew were filming series 7 recently. I took along my Widelux panoramic camera because it hasn’t been getting much use lately and I was inspired to use it after purchasing Jeff Bridges’ photo book Pictures Volume 2.

[Tech info:] Widelux camera, Kodak Portra 400 film, Noritsu scans.

20191029_Endeavour_S7E3_Merton_Widelux_Portra400_02_web

20191029_Endeavour_S7E3_Merton_Widelux_Portra400_05_web 20191029_Endeavour_S7E3_Merton_Widelux_Portra400_06_web 20191029_Endeavour_S7E3_Merton_Widelux_Portra400_07_web 20191029_Endeavour_S7E3_Merton_Widelux_Portra400_08_web 20191029_Endeavour_S7E3_Merton_Widelux_Portra400_10_web

Oxford: Endeavour 7, FILM 3 – part 1

Saturday, November 2nd, 2019

Behind the scenes during filming of Endeavour 7 | FILM 3 in Merton College, Oxford. A cold day for the cast and crew but at least it wasn’t raining! As usual, no spoilers. More pictures to follow after UK broadcast.

[Tech info:] Leica M6, 50/1.5 Voigtlander Nokton, Eastman Double X film, developed in D96. Pakon scans.

20191029_Endeavour_S7E3_Merton_M6_XX_D96_03_web 20191029_Endeavour_S7E3_Merton_M6_XX_D96_04_web 20191029_Endeavour_S7E3_Merton_M6_XX_D96_06_web 20191029_Endeavour_S7E3_Merton_M6_XX_D96_12_web 20191029_Endeavour_S7E3_Merton_M6_XX_D96_18_web 20191029_Endeavour_S7E3_Merton_M6_XX_D96_23_web 20191029_Endeavour_S7E3_Merton_M6_XX_D96_29_web 20191029_Endeavour_S7E3_Merton_M6_XX_D96_30_web 20191029_Endeavour_S7E3_Merton_M6_XX_D96_33_web 20191029_Endeavour_S7E3_Merton_M6_XX_D96_34_web 20191029_Endeavour_S7E3_Merton_M6_XX_D96_35_web 20191029_Endeavour_S7E3_Merton_M6_XX_D96_37_web

Oxford: Endeavour 7, FILM 2 – part 1

Tuesday, October 1st, 2019

The Endeavour crew were back in town to work on FILM 2 of Endeavour series 7 and I did some behind the scenes photography. As usual you won’t find any spoilers here. More pictures will follow after UK broadcast. There was a brief passing shower in the morning and then the rest of the day stayed mainly overcast which seems to have worked nicely with the film I was using (Eastman Double X). Usually I would develop this film in Kodak D76 but I decided to splurge on the correct developer which is Kodak D96 and I’m glad I did because these are the best tones I have seen from this film considering the dull light.

[Tech info:] Leica M6, 50/1.5 Voigtlander Nokton, Eastman Double X film, developed in D96, Pakon scans.

20190922_Endeavour_S7E2_Merton_Street_M6_Double-X_D96_03_web 20190922_Endeavour_S7E2_Merton_Street_M6_Double-X_D96_15_web 20190922_Endeavour_S7E2_Merton_Street_M6_Double-X_D96_24_web 20190922_Endeavour_S7E2_Merton_Street_M6_Double-X_D96_26_web 20190922_Endeavour_S7E2_Merton_Street_M6_Double-X_D96_28_web 20190922_Endeavour_S7E2_Merton_Street_M6_Double-X_D96_32_web 20190922_Endeavour_S7E2_Merton_Street_M6_Double-X_D96_36_web

 

Oxford: Giffords Circus 2019

Friday, September 20th, 2019

Giffords Circus came to Oxford on their 2019 tour and I went along to do some photography as I have done in previous years. It’s always nice to see familiar faces there and some new ones too. For these shots I used a Fuji 6×9 rangefinder camera which has a 90/3.5 lens that is not interchangeable. It’s a hulk of a camera but I really like the large viewfinder and the 3:2 aspect ratio of the frame compared to 6×7. The 90mm isn’t really a portrait lens so I tend to go a little wider than just head and shoulders.

[Tech info:] Fuji GW690, Fuji 400H (expired) film, Noritsu scans.

Oxford: Lunch break photo walk

Monday, September 16th, 2019

Some shots from a test roll I put through a Nikon FA which I recently bought. The first roll had some light leaks so I added light seals for the edges of the back of the camera using strips from a foam sheet I bought at Hobbycraft. Looks like it’s fixed the problem. These were all shot in aperture priority mode using matrix metering. The matrix metering mode only works in aperture priority on the FA, something I didn’t realise. I much prefer to use full manual mode.

[Tech info:] Nikon FA, 35/2.0D Nikon lens, orange filter, TMAX 100 (expired), developed in Tetanol Ultrafin developer. Pakon scans.

20190815_Lunch-Hour_FA_35-f2_TMX100_Ultrafin_01A_web 20190815_Lunch-Hour_FA_35-f2_TMX100_Ultrafin_03A_web 20190815_Lunch-Hour_FA_35-f2_TMX100_Ultrafin_05A_web 20190815_Lunch-Hour_FA_35-f2_TMX100_Ultrafin_06A_web 20190815_Lunch-Hour_FA_35-f2_TMX100_Ultrafin_07A_web 20190815_Lunch-Hour_FA_35-f2_TMX100_Ultrafin_08A_web 20190815_Lunch-Hour_FA_35-f2_TMX100_Ultrafin_12A_web 20190815_Lunch-Hour_FA_35-f2_TMX100_Ultrafin_14A_web 20190815_Lunch-Hour_FA_35-f2_TMX100_Ultrafin_15A_web 20190815_Lunch-Hour_FA_35-f2_TMX100_Ultrafin_20A_web 20190815_Lunch-Hour_FA_35-f2_TMX100_Ultrafin_24A_web 20190815_Lunch-Hour_FA_35-f2_TMX100_Ultrafin_36A_web