When I heard that Public Enemy would be performing at the Common People 2016 music festival in Oxford I was really looking forward to photographing them but when Chuck D came on stage he announced that Flava Flav couldn’t make it due to problems with obtaining a visa in time which was very disappointing and quite limiting in terms of photography as I find him the more photogenic of the duo.
[Tech info:] Nikon F100, 70-200/2.8 VR, Ilford HP5 @ ISO 800, HC110 1+31, Pakon scans.
As 2016 comes to a close I am ever conscious of the photography backlog that has piled up from this year that (if I’m perfectly honest with myself) I probably won’t manage to ever get on top of. It’s not much different to 2014 and 2015 but looking on the bright side I won’t ever run out of new material to post. This set of pictures is from March 2016 when we had a few foggy mornings which felt quite unusual at the time.
[Tech info:] Nikon F100, Ilford FP4 developed in Kodak D76. Pakon scans.
Here are some pictures from the Q&A session with Sir Michael Gambon at the Oxford Union. It was a very entertaining talk and I highly recommend viewing the video which can be found here.
[Tech info:] Nikon F100, Ilford HP5 @ ISO 3200, developed in Ilford DDX 1+4, Pakon scans.
In the summer of 2012 I was starting to experiment with large format x-ray film and looking for willing volunteers to sit for a portrait so that I could test things out. One of my test portraits was of Oxford artist Rachel Owen who I knew also worked with film when we chatted at her Artweeks exhibition months earlier. Yesterday I was very sad to hear that Rachel died on Sunday 18th December from cancer. Pembroke College announced the news on their website.
[Tech info:] Wista 10×8, green sensitive x-ray film rated at ISO 50, processed in Rodinal 1:50 for 6 mins.
Rachel Owen, Artist (1968-2016)
After seeing lots of great shots from other photographer’s that use a Voigtlander 40/1.4 lens I decided it was time to try one myself. The weather recently has been very overcast and the light less than inspiring but you don’t have to always have sunny weather to test out gear. So far I am very fond of this little lens – the size and weight being two standout features – and I’m very pleased with these initial results.
[Tech info:] Leica M2, Voigtlander 40/1.4 multi-coated, TMAX 100 (expired), developed in HC110 1+31, Pakon scans.
Here are some test shots from the first roll of film through a Kodak Retina camera that I recently got as part of a job lot of darkroom equipment. I don’t know anything about this camera but as it’s completely mechanical it was very easy to figure out the controls. The rangefinder is coupled and the leaf shutter is very quiet. I enjoyed using it and hope to put a roll of colour film through it soon.
[Tech info:] Kodak Retina, Kodak TMAX 100 (expired), developed in HC110 1+31 for 6mins. Pakon scans.
Here are some more pictures from the Great Dorset Steam Fair 2016, this time from my little point and shoot camera that I took with me. The sky was overcast at this point but bright enough that it wasn’t too dull for photography. The colours have come out quite nicely on Fuji Reala 100 film – which sadly isn’t made any more.
[Tech info:] Konica Hexar AF, Fuji Reala 100 film, developed in Fuji Xpress C41 kit, Pakon scans.
If you ever visit the Great Dorset Steam Fair be sure to stay until after dark because the display of steam engines all lit up is a real highlight of the day. These images are from my first ever roll of Fuji Natura 1600 film which a generous friend brought over from Japan for me. To my knowledge Fuji only make it for the domestic Japanese market.
[Tech info:] Leica M2, Voigtlander 50/1.5 Nokton Classic, Fuji Natura 1600 film developed in Fuji Xpress C41 kit. Pakon scans.
Behind the scenes pictures from The Mummy (2017) reboot starring Tom Cruise when filming took place in Oxford. The facade of Hertford College was cleverly dressed to look like The Royal Thames Hospital complete with ambulance vehicles parked outside. I had a great chat with the lighting guys and it was from them that I discovered the movie is being shot on Kodak film stock which is always nice to hear.
[Tech info:] Leica M2, 50/1.5 Voigtlander Nokton, Ilford HP5 @ ISO 1600, developed in Kodak Xtol stock. Pakon scans.
During my visit to The Great Dorset Steam Fair I got to experience the Wall of Death for the very first time. This wasn’t any old Wall of Death, it was the Ken Fox Troupe Wall of Death and what made it extra special was seeing it with my old friend Benedict Campbell who made an excellent short film about them (see it here). The show is nothing short of spectacular and I highly recommend it if you get the chance to see it.
[Tech info:] Leica M2, Voigtlander 50/1.5 Nokton Classic, Ilford HP5 @ ISO 800, developed in HC110 1+31. Pakon scans.
Two days ago I visited The Great Dorset Steam Fair for a photography day out with my old friend and fellow photographer Benedict Campbell – we used to work at the same photography studio 25+ years ago and I was one of his assistants. Ben suggested the Steam Fair would be great to photograph because he previously visited it to make his short film about the Wall of Death (watch it here). After setting off at 6am we arrived there nice and early with beautiful morning light and not too many crowds. The weather was kind to us with just the odd passing shower during the afternoon which got rid of the humidity and helped keep the air a little fresher. It was a fantastic day out and I really enjoyed seeing so much passion for massive machines. We photographed all day, stayed until it got dark and brought back lots of pictures to share. Lots more to come.
[Tech info:] Leica M2, Voigtlander 50/1.5 Nokton Classic, Agfa APX 100, Developed in Rodinal 1+25 for 8 mins. Pakon scans.
These pictures have been sitting on a roll of film in my fridge for the past year. I remember making these pictures but I couldn’t remember exactly which roll they were on and because the last shots on the roll ended up being made at the 2015 Cowley Classics car show I labelled the roll ‘car show’ when I removed it from my camera. Recently I have been working my way through a backlog of colour films and that’s when I came across these shots.
[Tech info:] Konica Hexar AF, Fuji Press 400 (expired), developed in a Fuji Xpress C41 kit, Pakon scans.
